Women Is Losers

Name: Women Is Losers
Genre: Drama
Released: October 18, 2021
Duration: 84 min
Rating: 59
Cast: Alejandra Miranda, Alessandra Torresani, Bryan Craig, Chrissie Fit, Cranston Johnson

2021

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Mixed or average reviews based on 6 Critic Reviews

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Movie Details & Credits

HBO Max | Release Date (Streaming): October 18, 2021 | Not Rated

Starring: Alejandra Miranda, Alessandra Torresani, Bryan Craig, Chrissie Fit, Cranston Johnson, Ivana De Maria, Lincoln Bonilla, Liza Weil, Lorenza Izzo, Simu Liu, Steven Bauer

Summary: In 1960s San Francisco, a once-promising catholic school girl, Celina Guerrera, sets out to rise above the oppression of poverty and invest in a future for herself that sets new precedents for the time.

Director: Lissette Feliciano

Genre(s): Drama

Rating: Not Rated

Runtime: 84 min

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Critic Reviews

Kalyn Corrigan

Mar 20, 2021

At the end of the day, this is Izzo’s show. Her performance breathes new life into a story we’ve seemingly seen countless times before, now made anew. Read full review

Sheri Linden

Mar 20, 2021

Feliciano's mix of social commentary and old-school melodrama can be sharp, but it can also be distractingly on-the-button. Read full review

IndieWire Kate Erbland

Mar 20, 2021

Women Is Losers is an infectious and auspicious debut. Read full review

Natalia Keogan

Oct 18, 2021

Feliciano’s effort is particularly marred by hackneyed tropes. Whether it be that Latino fathers operate out of the same withered copy of a machismo manual or the simple assertion that kids simply “need a father,” Women Is Losers certainly won’t win over those yearning for something new. Read full review

Tomris Laffly

Mar 20, 2021

It’s a rewarding experience to watch Izzo thread a tricky line with ease here, emitting both a child-like innocence and gradual steeliness that slowly yet convincingly sharpens and matures. If only the film could deserve her level of commitment. Read full review

Concepción de León

Oct 21, 2021

It’s arguable that Celina’s emotional distance is a true reflection of how working class women manage their feelings in order to cope. But it could be dissatisfying to a viewer craving to see women’s interior lives; their pain rather than their resilience. Read full review

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