Born in New York on May 12, 1962, Estevez is the eldest son of actor Martin Sheen (formerly known as Ramon Estevez) and his wife, Janet. He grew up on Manhattan's Upper West Side with his two younger brothers, Ramon and Charlie, and his younger sister, Renée. Though Estevez started attending school in the New York public school system, he transferred to a prestigious private academy once his father's career blossomed. In 1968, after Sheen landed a starring role in Catch-22 (1970), the family moved west to Malibu, CA. There, the young Estevez began writing short stories and poems. By the time he turned eight, he had already submitted a script to Rod Serling's Night Gallery television series (it was, unfortunately, rejected).
When Estevez was 11, his father bought the family a portable movie camera. Estevez, his brother Charlie, and their friends, Sean and Chris Penn, and Chad and Rob Lowe, used it to make short films, which Estevez would often write. He then began acting inBorn in New York on May 12, 1962, Estevez is the eldest son of actor Martin Sheen (formerly known as Ramon Estevez) and his wife, Janet. He grew up on Manhattan's Upper West Side with his two younger brothers, Ramon and Charlie, and his younger sister, Renée. Though Estevez started attending school in the New York public school system, he transferred to a prestigious private academy once his father's career blossomed. In 1968, after Sheen landed a starring role in Catch-22 (1970), the family moved west to Malibu, CA. There, the young Estevez began writing short stories and poems. By the time he turned eight, he had already submitted a script to Rod Serling's Night Gallery television series (it was, unfortunately, rejected).
When Estevez was 11, his father bought the family a portable movie camera. Estevez, his brother Charlie, and their friends, Sean and Chris Penn, and Chad and Rob Lowe, used it to make short films, which Estevez would often write. He then began acting in all the junior high school plays, including The Dumb Waiter, Hello Out There, and Bye, Bye, Birdie. While accompanying his father to the Philippine set of Francis Ford Coppola's Apocalypse Now (1979), Estevez got his first professional acting role as a messenger boy in the film. His scene, however, did not make the picture's final cut. After returning home to attend Santa Monica High School, Estevez grew interested in sports and did not become involved with the drama department until his senior year. Uninspired by the usual high school productions, he wrote an original play and drafted Sean Penn to direct it. Titled "Echoes of an Era," the story was based on the life of a Vietnam vet whom Estevez met while staying in the Philippines. Around the same time, he landed his first professional stage role opposite his father in Mr. Roberts at the Burt Reynolds Dinner Theater in Jupiter, FL.
Estevez made his small-screen debut right after graduating from high school. He appeared in the ABC After School Special Seventeen Going on Nowhere (1980), before joining his father in the cast of To Climb a Mountain (1981), an installment of the religious television series Insight. In 1981, after returning from India where he served as his father's stand-in during the taping of Gandhi (1982), Estevez landed his first feature-film role opposite Matt Dillon in Tex (1982). The film marked the first of three adaptations of S.E. Hinton's books in which Estevez would appear. A year later, he starred in Francis Ford Coppola's unforgettable adaptation of her novel The Outsiders (1983), with Dillon, Patrick Swayze, Tom Cruise, Rob Lowe, C. Thomas Howell, and Ralph Macchio.
By 1983, Estevez found himself on the short list of young actors. Oliver Stone asked him to star in his Academy Award-winning Vietnam film Platoon (1986), but the director could not finance the project in time (Estevez's brother, Charlie, took the role five years later). Instead, Estevez decided to play a punk rocker turned car repossessor in Alex Cox's Repo Man (1984). Co-executive produced by former Monkee Mike Nesmith, the wacky comedy also starred cult favorite Harry Dean Stanton and was a lasting underground hit. Estevez next gave a successful reading for John Hughes' The Breakfast Club (1985), a film about five very different high school kids who are forced to spend a Saturday morning together in detention. Judd Nelson, Anthony Michael Hall, Molly Ringwald, and Ally Sheedy rounded out the cast in what turned out to be the quintessential teen angst film of the '80s.
On the set of The Breakfast Club, Estevez refined a screenplay he had begun writing with Tom Cruise while working on The Outsiders. Based on another S.E. Hinton novel, That Was Then...This Is Now (1985) went into production under the auspices of Paramount and director Christopher Cain, with Estevez as its star. It opened to scathing reviews and little praise for its young writer, but was a moderate box-office success.
Estevez's next role featured him as a recent college graduate opposite Rob Lowe, Ally Sheedy, Judd Nelson, Andrew McCarthy, Demi Moore, and Mare Winningham in St. Elmo's Fire (1985). The film debuted at the same time as a New York magazine cover story that labeled its actors (many of whom had worked together before) as the Brat Pack and elected Estevez as the "unofficial president" of the group. The actor immediately tried to shake the moniker with a part in Stephen King's directing debut, Maximum Overdrive (1986), but the film flopped. He then tried his own hand behind the camera. At age 23, he wrote, directed, and starred in Wisdom (1985), making cinematic history as the youngest feature filmmaker to take on all three roles. The picture, a meandering heist/road film, flopped.
Estevez revived his career with Stakeout (1987), a hit action-comedy that co-starred veteran actor Richard Dreyfuss, and Young Guns (1988), a successful youth-oriented Western helmed by That Was Then...This Is Now director Christopher Cain. The actor reprised his Young Guns role as Billy the Kid for its sequel, Young Guns 2 (1990), before writing, directing, and starring in Men at Work (1990). The buddy film, a comedy about two garbage men who become wrapped up in a murder case, also featured his brother, Charlie Sheen.
After an embarrassing turn in the bizarre sci-fi thriller Freejack (1992), Estevez starred as a lawyer who is forced to coach a children's hockey team in Disney's triumphant The Mighty Ducks (1992). He filmed the spoof National Lampoon's Loaded Weapon 1 (1993) and Another Stakeout (1993), before coaching the Mighty Ducks again in D2 (1994). Estevez then agreed to make a cameo appearance in the third installment of the franchise, D3 (1996), if Disney helped finance his own picture, The War at Home (1996). Estevez produced, directed, and starred in the Vietnam-era drama, along with his father and Academy Award-winner Kathy Bates. Sadly, after premiering at the Austin Film Festival, The War at Home played in only three cities.
In 1998, Estevez made a comeback as the Cowboy in the TNT made-for-cable spaghetti Western, Dollar for the Dead. Two years later, he directed Rated X (2000), a Showtime original movie based on brothers Jim and Art Mitchell, the troubled directors of the infamous adult film Behind the Green Door. After casting himself as Jim, Estevez recruited his own brother Charlie to play Art -- a move which gave the heralded film added clout and a money-making edge. Its positive press also put both brothers back in the spotlight.… Expand
Emilio Estevez's Scores
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|The Public||Apr 5, 2019||Director / Producer / Written By / Stuart Goodson||6.5|
|The Way||Oct 7, 2011||Director / Director / Producer / Producer / Writer / Writer / Daniel / Daniel||tbd|
|Bobby||Nov 17, 2006||Director / Director / Written By / Written By / Tim / Tim||tbd|
|The L.A. Riot Spectacular||Aug 11, 2006||Officer Powell||tbd|
|The Mighty Ducks||Oct 2, 1992||Gordon Bombay||tbd|
|Young Guns II||Aug 1, 1990||William H. Bonney||8.5|
|Young Guns||Aug 12, 1988||William H. 'Billy The Kid' Bonney||7.8|
|Stakeout||Aug 5, 1987||Bill Reimers||tbd|
|Maximum Overdrive||Jul 25, 1986||Bill Robinson||6.4|
|That Was Then... This Is Now||Nov 8, 1985||Screenplay / Mark Jennings||tbd|
|St. Elmo's Fire||Jun 28, 1985||Kirby Keger||tbd|
|The Breakfast Club||Feb 15, 1985||Andrew Clark||8.8|
|Repo Man||Mar 2, 1984||Otto / Otto||6.6|
|Nightmares||Sep 9, 1983||J.J. Cooney (Segment "The Bishop Of Battle")||tbd|
|The Outsiders||Mar 25, 1983||Two-Bit Matthews / Two-Bit Matthews||8.4|
|Tex||Jul 30, 1982||Johnny Collins||tbd|
|Badlands||Oct 15, 1973||Boy Under Lamppost||8.7|