Another Life

Nitpicking sci-fi conceits is usually a waste of time (who cares how implausible a lovestruck robot fixing a ship’s FTL drive is?), but there are enough glaring omissions of logic in Another Life that it’s impossible not to get pulled out of the story at times. ... What the series does have is Sackhoff, and she’s more than up to the task of reminding the viewer why she’s anchoring this series. Whenever she’s onscreen, the show’s sophomoric writing instantly becomes more plausible

The United Colors of Benetton crew fights among themselves a lot, but viewers get such slight sketches of each character in early episodes, it’s hard to care about many of them. At least the space stuff is more interesting than the homefront melodrama.

It’s inelegantly made and operates less in the realm of ideas than in pure scares. It’s not ineffective, but little in “Another Life” connects to do much more than the purely visceral.

This is an earnest but hard-edged drama about extraterrestrial first contact and deep space exploration that Frankensteins together bits of classics and near-classics. But the the whole never congeals into an original statement. And the storytelling is so ungraceful that I got whiplash from the first four episodes.

It's about the journey, not the destination. And what a weird, confused little journey it is.

“Another Life” has a complete lack of character development within Niko’s crew because they're too busy worrying and yelling. ... Blair and Sackhoff are always welcome presences on any show, and it’s telling how much the four episodes of “Another Life” that I could stomach simply annoyed me.