• Network: FOX
  • Series Premiere Date: Feb 16, 2020
Season #: 3, 2, 1
Metascore
64

Generally favorable reviews - based on 6 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 6
  2. Negative: 0 out of 6
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Critic Reviews

  1. Reviewed by: Joel Keller
    Feb 18, 2020
    80
    Duncanville is a show where normal things happen to a regular kid. Maybe the fact that it’s not trying too hard is what makes it so funny.
  2. Reviewed by: Rob Owen
    Feb 18, 2020
    68
    While there’s sometimes a sameness to Fox’s recent animation efforts — comedies centered on families filled with oddballs — that doesn’t necessarily diminish the laughs. Newcomer “Duncanville” certainly prompts multiple guffaws in its first two episodes.
  3. Reviewed by: Ben Travers
    Feb 13, 2020
    67
    What will be curious to watch as “Duncanville” progresses is who emerges as the distinct voice of the show. Two episodes aren’t enough to offer a definitive choice, but there seems to be fresher, more intriguing material for Annie, Duncan’s mom, than the show’s eponymous teen.
  4. Reviewed by: Amanda Bell
    Feb 18, 2020
    60
    Duncanville is not a show we needed, exactly, but it's still a completely harmless addition to the genre that features some voices we always enjoy hearing.
  5. Reviewed by: Caroline Framke
    Feb 18, 2020
    60
    The first two episodes of “Duncanville” reveal a show with solid voice acting (including a surprise turn from Wiz Khalifa as a cool teacher scootering around the cafeteria) that has a decent handle on its setting and characters, especially its teen ones just trying to get through the day without literally stumbling face-first into blistering embarrassment. It’s just too soon to tell how much longevity it might have given the strength of the lineup it’s now slotted into.
  6. Reviewed by: Robyn Bahr
    Feb 18, 2020
    50
    The show is pleasant, manic and stale all at once, yet neither sophisticated nor weird enough to engender immediate viewer loyalty. Judging from the two episodes available to critics, I see potential for it to grow and eventually find its voice. But it also appears to be stuck on the wrong premise.