- Network: NETFLIX
- Series Premiere Date: Dec 20, 2019
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Critic Reviews
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When the worst thing you can say about a series is that every episode ends up being better than the one that preceded it, that leaves an exciting amount of room to grow. Especially when you can see it steadily moving out of the shadow of the show Netflix might have wanted, in favor of the far more interesting series it might actually turn out to be.
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If you can circumnavigate or weather the quick and unforgiving narrative beginnings—like if you have a background with fantasy, a knack for rolling with crazy shit, or a general love for Witchery things—and buy into the tone, The Witcher has lots to love.
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For all its massive scale, The Witcher is a surprisingly small story centered around three appealing main characters. It’s a classic fantasy tale about war and magic and prophecy, with grotesque monsters, supernatural detective work, and political intrigue thrown into the mix. It’s all a bit silly, but no more so than Game of Thrones ever was.
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The barrier for entry with The Witcher is pretty high; between the weird-ass fantasy names, odd story structure, and complicated backstory, it's a lot to take on without a little help. I went in knowing very little, but at some point decided "f--- it, I'm in," and left wanting to know a lot more. If you can add a new project like The Witcher to your life, you should.
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Frankly, it should be a catastrophe, and yet the batshit energy driving a slew of increasingly odd choices makes for a pretty entertaining spectacle.
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In contrast to its halfhearted approach to exposition, The Witcher finds its footing in the graphic depiction of violence. The show’s energetic battle scenes, set to a stirring score by composers Sonya Belousova and Giona Ostinelli, create the impression that the burly, snow-caked background actors of Game of Thrones were moving at three-quarters speed.
User score distribution:
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Positive: 1,976 out of 2576
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Mixed: 178 out of 2576
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Negative: 422 out of 2576
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Jun 19, 2020
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Dec 20, 2019This is what happens when you push a modern, tolerant agenda into a series on Slavic fantasy and ignore the canon of original books.
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Dec 20, 2019