It’s a film of scenes rather than of one unified narrative, but each scene is a showcase for the magnificent talents of Ms. Balibar, a multifaceted performer of spectacular magnetism and intelligence.
This is a loving tribute not only to the late Barbara (1930-97), the inimitable singing icon of the French chanson, but also to the star of this film, Jeanne Balibar, whose brilliant performance is boosted here by her uncanny physical resemblance to the late“Dame en noir”, as Barbara used to be called by her admirers.
Once you settle into your bewilderment, however, Barbara an oddly alluring film that does a double backflip on hokey showbiz-bio convention: not an informative introduction to the singer by any means, but a suitably eccentric evocation of her creative essence.
Amalric puts all of the esoteric artistic tendencies that are part and parcel of the creative process into “Barbara” and comes up with an incoherent mess of a docu-drama. The entire film feels like a playful experiment that never evolves beyond a concept, like an unlit cigarette, never getting the spark it needs to fulfill its purpose.
Production Company
Waiting For Cinema,
Gaumont,
France 2 Cinéma,
Alicéléo,
Canal+,
France Télévisions,
La Région Île-de-France,
Centre national du cinéma et de l'image animée (CNC),
Cofinova 13