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- 1991
- PG-13
- New Line Cinema
- 1 h 37 m
- 1991
- PG-13
- New Line Cinema
- 1 h 37 m
Summary Charlie Sheen plays a rebellious inmate in an Army stockade.
Directed By: Martin Sheen
Written By: Dennis Shryack, Gordon Weaver
- 1991
- PG-13
- New Line Cinema
- 1 h 37 m
- 1991
- PG-13
- New Line Cinema
- 1 h 37 m
Cadence
44
User Score
Available after 4 ratings
tbd
Where to Watch
Summary Charlie Sheen plays a rebellious inmate in an Army stockade.
Directed By: Martin Sheen
Written By: Dennis Shryack, Gordon Weaver
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 17 Critic Reviews
44
12% Positive
2 Reviews
2 Reviews
82% Mixed
14 Reviews
14 Reviews
6% Negative
1 Review
1 Review
Metascore
Mixed or Average
Based on 17 Critic Reviews
44
12% Positive
2 Reviews
2 Reviews
82% Mixed
14 Reviews
14 Reviews
6% Negative
1 Review
1 Review
Martin Sheen, in his directing debut, shows enormous empathy for his actors, each of whom emerges as a fully rounded character. [15 Mar 1991, p.F20]
Directed by Martin Sheen, the picture works hard to be socially and psychologically penetrating but doesn't quite make the grade. [15 Mar 1991, p.12]
Despite Sheen's earnestness - and despite the movie's obvious good intentions - the script is confused and unfocused, and clumsily borrows elements of movies like From Here to Eternity and Bridge Over the River Kwai without any of those classics' higher meaning. [18 Jan 1991]
Despite Sheen's earnestness - and despite the movie's obvious good intentions - the script is confused and unfocused, and clumsily borrows elements of movies like From Here to Eternity and Bridge Over the River Kwai without any of those classics' higher meaning. [18 Jan 1991]
CADENCE is watchable while it lasts, with a generous leavening of humor, but the film keeps throwing emotional punches that never quite connect.
Cadence might once have been pertinent, revolutionary or politically correct, but it's definitely out of step with the times
Martin Sheen makes his directing debut with this military drama mixed with laughs. It isn’t awful — just bland, which is worse.
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