X
- 1969
- G
- Warner Bros./Seven Arts
- 1 h 32 m
- 1969
- G
- Warner Bros./Seven Arts
- 1 h 32 m
Summary When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
Directed By: Freddie Francis
Written By: Anthony Hinds, Bram Stoker
- 1969
- G
- Warner Bros./Seven Arts
- 1 h 32 m
- 1969
- G
- Warner Bros./Seven Arts
- 1 h 32 m
Dracula Has Risen from the Grave
66
User Score
Available after 4 ratings
tbd
Summary When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
Directed By: Freddie Francis
Written By: Anthony Hinds, Bram Stoker
Top Cast
Metascore
Generally Favorable
Based on 8 Critic Reviews
66
63% Positive
5 Reviews
5 Reviews
38% Mixed
3 Reviews
3 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Generally Favorable
Based on 8 Critic Reviews
66
63% Positive
5 Reviews
5 Reviews
38% Mixed
3 Reviews
3 Reviews
0% Negative
0 Reviews
0 Reviews
Veronica Carlson and Barry Andrews made the strongest couple to fall victim to Christopher Lee’s Dracula. All the supporting cast are excellent. It’s easy to get invested in their lives and wish them a happy ending after enduring Dracula’s horror.
Grave is the fourth entry in Hammer’s Dracula rotation but doesn’t possess a whiff of being a retread, given its innovative formal choices and series-best direction. [24 Jul 2018]
One of the last and best of the Hammer vampire flicks has Lee doing his
umpteenth turn as Transylvania's thirstiest and most sexually active
aristocrat. [05 Jul 1985, p.47C]
Campy horror at its very best, courtesy of Hammer Films, director Freddie Francis and the incomparable Christopher Lee in his third outing as the bloody Count. Sexy, baroque and completely inconsequential. [29 Oct 1998, p.F45]
The fourth of nine Dracula films by Hammer, with the violence and eroticism more up front this time around.
While the film has some full-blooded setpieces and creative visuals - plus one of the franchise's coolest posters - it's a thoroughly by-the-numbers effort. Lee is visibly disengaged with the sequel, the middle section drags on and most of the cast of characters aren't terribly interesting.
Dracula Has Risen From The Grave. Yes, again. And judging by this junky British film in color—asplatter with catchup or paint or whatever, to simulate the Count's favorite color—he can descend again.
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