X
- 1970
- PG-13
- Columbia Pictures
- 2 h 34 m
- 1970
- PG-13
- Columbia Pictures
- 2 h 34 m
Summary After the death of a common friend, three married men leave their lives together, seeking pleasure and freedom and ultimately leaving for London.
Directed By: John Cassavetes
Written By: John Cassavetes
- 1970
- PG-13
- Columbia Pictures
- 2 h 34 m
- 1970
- PG-13
- Columbia Pictures
- 2 h 34 m
Husbands
66
User Score
Available after 4 ratings
tbd
Summary After the death of a common friend, three married men leave their lives together, seeking pleasure and freedom and ultimately leaving for London.
Directed By: John Cassavetes
Written By: John Cassavetes
Top Cast
Metascore
Generally Favorable
Based on 16 Critic Reviews
66
56% Positive
9 Reviews
9 Reviews
44% Mixed
7 Reviews
7 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Generally Favorable
Based on 16 Critic Reviews
66
56% Positive
9 Reviews
9 Reviews
44% Mixed
7 Reviews
7 Reviews
0% Negative
0 Reviews
0 Reviews
One of the most honest movies ever made about male friendship. [13 Feb 1998, p.N]
Husbands confirms, if indeed any confirmation were needed, that John Cassavetes is one of the major American film-makers of the past decade, and one of the most tortured and turgid as well. [10 Dec 1970, p.69]
A brilliantly textured film to be savoured.
Freewheelin’ and almost similar to a long jazz riff that could have been reigned in, Husbands is occasionally fascinating and often tedious.
If Cassavetes' hipster cine-language has lost a little of its age and the innovative improv style won't be for everyone, the themes he tackles, riffed by a masterful group of actors, remain enthralling.
Husbands has all the confidence of Cassavetes' masterpiece, Faces, but few of the other qualities of the film that preceded it. It has good intentions, I suppose, but it is an artistic disaster and only fitfully interesting on less ambitious levels.
Like Faces, which was rambling and funny and accurate, and which I admired, the new film demonstrates a concern for panicky, inarticulate squares that is so unpatronizing that it comes close to being reverential in a solemnly religious sense. Husbands, however, also puts one's tolerance of simulated cinéma vérité to the test. It is almost unbearably long.
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