It’s true, North Hollywood‘s story isn’t quite as affecting as its style. As such, it’d be easy to label it “all style, no substance.” But as North Hollywood proves, when you do it well enough, style is substance.
The comedy in the film is spontaneous and engaging. The drama is subtle and patient, the effect of which makes it challenging to track Michael's progress with his friends, his relationship, and his sports career.
Half-sketched as its drama can be, Alfred’s feature-length fiction debut is sustained by a complete lack of poser energy and a few new tweaks on some classic tricks; come for Vince Vaughn downshifting into his indie dad phase, stay for the woozy retro vibe that evokes a timeless sense of starry-eyed youth by layering mid-century Doo-wop from the likes of Arthur Lee Maye and The Chiffons over modern skate footage.