X
- 1982
- R
- Anchor Bay Entertainment
- 1 h 34 m
- 1982
- R
- Anchor Bay Entertainment
- 1 h 34 m
Summary A young girl whose father is an ex-convict biker and whose mother is a junkie has a difficult time coping with her parents' problems.
Directed By: Dennis Hopper
- 1982
- R
- Anchor Bay Entertainment
- 1 h 34 m
- 1982
- R
- Anchor Bay Entertainment
- 1 h 34 m
Out of the Blue (1980)
78
User Score
Available after 4 ratings
tbd
Where to Watch
Summary A young girl whose father is an ex-convict biker and whose mother is a junkie has a difficult time coping with her parents' problems.
Directed By: Dennis Hopper
Where to Watch
Top Cast
Metascore
Generally Favorable
Based on 8 Critic Reviews
78
88% Positive
7 Reviews
7 Reviews
13% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
Metascore
Generally Favorable
Based on 8 Critic Reviews
78
88% Positive
7 Reviews
7 Reviews
13% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
It’s a movie that can feel like several you’ve seen before, yet never distorted in quite this style, beat, or fashion. When the messy trajectory seems as though it might be on its way to the point of reflection, dissension re-ignites, and counter-cultural discord combusts through expressive punctuation, once again.
The final fifteen minutes are some of the most grueling ever put to screen.
As anthropology, Out of the Blue is engrossing; as a social document, it is essential; but as undiluted raw power, it is absolute. No filter.
The acting in Out of the Blue is galvanic, conveying extreme emotional states with raw power, and Hopper often presents scenes in long takes that preserve the intensity of the performances. Watching the film, you get absorbed in the characters’ self-destructive behavior even though you know it will come to no good.
The theme music, from Neil Young's "Rust Never Sleeps" album, is a haunting accompaniment to Mr. Hopper's sometimes stunning imagery. The best moments of "Out of the Blue" have both the beauty and the banality of found art.
For orchestrating lurid goonishness, Hopper can't be beat.
Hopper keeps things light and off-the-cuff, allowing his performers free rein - sometimes too much, as in the case of the screechy and shrill Farrell - to explore grim territory without falling into heavy-handedness.
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