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Cast & Crew
Directed By
Written By
- John Boyne
- novel
- Mark Herman
- written for the screen by
Cast
- Asa Butterfield
- Bruno
- Zac Mattoon O'Brien
- Leon
- Domonkos Németh
- Martin
- Henry Kingsmill
- Karl
- Vera Farmiga
- Mother
- Cara Horgan
- Maria
- Zsuzsa Holl
- Berlin Cook
- Amber Beattie
- Gretel
- László Áron
- Lars
- David Thewlis
- Father
- Richard Johnson
- Grandpa
- Sheila Hancock
- Grandma
- Charlie Baker
- Palm Court Singer
- Iván Verebély
- Meinberg
- Béla Fesztbaum
- Schultz
- Attila Egyed
- Heinz
- Rupert Friend
- Lieutenant Kotler
- David Hayman
- Pavel
- Jim Norton
- Herr Liszt
- Jack Scanlon
- Shmuel
- László Nádasi
- Isaak
- László Quitt
- Kapo 1
- Mihály Szabados
- Kapo 2
- Zsolt Sáfár Kovács
- Kapo 3 Sonderkommando
- Gábor Harsai
- Elderly Jewish Man
- Julia Papp
- Dancer
Produced By
- Rosie Alison
- co-producer
- Mark Herman
- executive producer
- David Heyman
- producer
- Christine Langan
- executive producer
- Mary Richards
- line producer
Music
Cinematography
- Benoît Delhomme
- director of photography
Sound
- Peter Burgis
- foley artist
- John Casali
- sound mixer
- Andie Derrick
- foley artist
- Joe Gallagher
- dialogue editor
- Rodney Glenn
- supervising sound editor
- Larry Hopkins
- layback sound mixer
- Attila Kohári
- cable man
- Jerome McCann
- sound playback operator
- Mark Paterson
- re-recording mixer
- György Rajna
- boom operator
- Adrian Rhodes
- re-recording mixer
- James Seddon
- dolby consultant
- Ed Colyer
- foley mixer
- Glen Gathard
- assistant foley mixer
- Peter Gleaves
- adr mixer
Editing
Casting Director
Production Design
Art Direction
- Rod McLean
- supervising art director
- Razvan Radu
- Art Director
- Mónika Esztán
- Art Director
Set Design
Costumes
Makeup
- Jacqueline Bhavnani
- hair stylist / makeup artist
- Hildegard Haide
- makeup artist
- Marese Langan
- hair designer / makeup designer
- Alex Rouse
- wigmaker
- Erzsébet Rácz
- hair stylist
Special Effects
- Gábor Balog
- standby special effects technician
- János Berki
- standby special effects technician
- Ferenc Kardos
- special effects supervisor
- Gyula Krasnyánszky
- pyrotechnician
- Ferenc Ormos
- special effects supervisor
- György Solymosi
- standby special effects technician
Visual Effects
- Louie Alexander
- retouch and restoration: Framestore-CFC
- Simon Allmark
- visual effects editorial: Double Negative
- Ben Baker
- head of digital lab: Framestore-CFC
- Adrian Banton
- 2d supervisor: Double Negative
- Turea Blyth
- visual effects editorial
- Jerome Dewhurst
- di engineer
- Miles Drake
- visual effects editorial: Double Negative
- Michael Bruce Ellis
- visual effects supervisor: Double Negative
- Adam Glasman
- digital intermediate colourist
- Gavin Gregory
- visual effects coordinator: Double Negative
- Edwina Jamieson
- retouch and restoration: Framestore-CFC
- David Johnston
- data operator: Framestore-CFC
- Serena Lam
- visual effects artist: Double Negative
- Matthew Leach
- studio assistant
- Tracey Leadbetter
- visual effects producer: Double Negative
- Edwin Metternich
- retouch and restoration: Framestore
- Effandi Mohamed
- visual effects artist: Double Negative
- Stuart Nippard
- conform editor: Framestore-CFC
- David Preece
- film mastering engineer
- Zelda Tinska
- visual effects editorial: Double Negative
- Jon Veal
- visual effects artist: Double Negative
- Szvák Antal
- visual effects coordinator: Cube Effects
- Matthew Baker
- retouch and restoration: Framestore-CFC
- Zoltán Benyó
- visual effects producer: Cube Effects
- Zachary Bloom
- scanning and recording: Framestore CFC
- Clare Brody
- data operator: Framestore
- Péter Bujdosó
- matte painting supervisor: Cube Effects
- Paul Burke
- scanning and recording: Framestore
- Andy Burrow
- scanning & recording manager
- Dave Calub
- retouch and restoration: Framestore
- Francesca Canducci
- retouch and restoration: Framestore
- Ronan Carr
- restoration artist: digital restoration
- Zoe Cousins
- scanning and recording
- Richard Edwards
- data operator: Framestore CFC
- André Gabriella
- digital paint and rotoscope artist: Cube Effects
- Mai Gray
- retouch and restoration: Framestore
- Alistair Hamer
- film mastering engineer
- Pete Hanson
- studio manager: double negative
- Adam Hawkes
- digital compositor
- Karsten Hecker
- film mastering engineer: Framestore CFC
- Jan Hogevold
- executive producer: framestore di
- John Inch
- retouch and restoration
- Horváth Gál István
- rotoscope artist: Cube Effects
- Liana Jackson
- retouch and restoration
- Éva Korda
- rotoscope artist: Cube Effects
- Károly Körmöczi
- rotoscope artist: Cube Effects
- Edina Laboncz
- digital paint and rotoscope artist: Cube Effects
- Taz Lodder
- technical support: Double Negative
- Esme Long
- production manager
- James Long
- data operator: Framestore CFC
- Kevin Lowery
- film mastering engineer
- Veronica Marcano
- scanning & recording operator: Framestore
- Peregrine McCafferty
- matchmove artist: Double Negative
- Gurel Mehmet
- concept artist: Double Negative
- Adam Parker
- retouch and restoration: Framestore
- Lee Rankin
- scanning and recording: Framestore
- James Reed
- scanning and recording
- Jimmy Saul
- scanning and recording
- Noémi Somoskövy
- visual effects coordinator: Cube Effects
- Nick Stanley
- retouch and restoration: Framestore
- Maria Stroka
- senior digital intermediate producer
- Mátyás Szabó
- senior digital artist: Cube Effects
- Gábor Székely
- technical director: Cube Effects
- Pál Tauszig
- digital compositor: Cube Effects
- Odean Thompson
- digital paint and restoration: Framestore
- Gábor Tóth
- lead digital compositor: Cube Effects
- Péter Závorszky
- visual effects production manager: Cube Effects
Assistant Director
- Monika Bota
- additional assistant director: crowd
- Heidi Gower
- third assistant director
- Zsuzsa Gurban
- co-first assistant director
- Martin Harrison
- first assistant director
- Vera Janisch
- assistant director
- Bernadett Lõvey
- third assistant director
- István Pocsai
- third assistant director
- Chris Stoaling
- second assistant director
Production Management
- Tania Blunden
- post-production supervisor
- Dan Hassid
- executive in charge of production
- István Király
- unit manager
- Gyorgy Kuntner
- production manager
- Mary Richards
- unit production manager
Art Department
- Sándor Bognár
- stand-by construction
- Barna Brill
- construction manager
- Péter Brill
- construction manager
- István Busa
- swing gang
- Bálint Diószegi
- property buyer
- Peter Gantner
- assistant set decorator
- Attila Horváth
- stand-by construction
- Gábor Hutter
- swing gang
- János Jován
- set builder
- Gábor Kiss
- set builder
- Géza Kotán
- painter
- Balázs Kovács
- stand-by propman / stand-by props / swing gang
- Balázs M. Kovács
- props
- István Kovács
- swing gang
- Tibor Lucza
- painter
- László Mohovics
- swing gang
- Sándor Nagy
- stand-by property master
- László Németh
- painter
- David Packard
- scenic artist
- Zoltán Pamuk
- painter
- Gábor Posevitz
- property master
- Sándor Rád
- set builder
- Ferenc Simiglai
- painter
- István Szabó
- set builder
- Kinga Szabó
- art department coordinator
- Károly Turzai
- painter
- Zoltán Varga
- swing gang
- István Zsolnai
- painter
- Catherine Byrne
- art department researcher
Stunts
- György Kivés
- stunt coordinator
Editorial
- Turea Blyth
- digital intermediate editorial
- Janó Fekete
- colorist: dailies
- Adam Glasman
- colorist
- Jan Hogevold
- digital intermediate executive producer
- Paul Hyman
- first assistant editor
- Faye Morgan
- post-production coordinator
- Josh Rappaport
- post production coordinator: Miramax Films
- Karenjit Sahota
- trainee assistant editor
- Maria Stroka
- digital intermediate senior producer
- Sean Cooney
- post-production executive
Other
- Tim Corrie
- special thanks
- Harvey Herman
- special thanks
- Joy Herman
- special thanks
- Laura Herman
- special thanks
- David Nochimson
- special thanks
Music Department
- Dick Bernstein
- music editor
- Bob Bornstein
- music preparation
- Sandy DeCrescent
- music contractor
- Sarah Eyden
- singer
- Kaylin Frank
- music executive
- Jim Henrikson
- music scoring supervisor
- Larry Hopkins
- music
- James Horner
- musician: piano / conductor / orchestrator
- Aaron Martin
- synthesizer programmer
- Radu Pieptea
- musician: violin
- Simon Rhodes
- music mixer / music recordist
- Ryan Robinson
- scoring technical support engineer
- Peter Rotter
- music contractor
- Nigel Stone
- music editor: temp score
- Ian Thomas
- musician: drums
- Ian Underwood
- synthesizer programmer
- Richard Wheeler Jr.
- scoring crew
Casting Department
- Éva Bajusz
- casting assistant
- Vanessa Baker
- adr voice casting
- Brendan Donnison
- adr voice casting
- Sándor Dénes
- casting: c rowd
- Tamás Kertész
- extras casting
- Mariann Kuzmanné Rónay
- casting: children, Hungary
- Veronika Varjasi
- casting director: Hungary
- Donna Morong
- executive in charge of casting
Costume Department
- Liza Bracey
- assistant costume designer
- Agnes Forgacs
- dresser: crowd
- Enikö Karádi
- dresser: crowd
- Anikó Nagy
- costume interpreter
- Imre Orosz
- costume supervisor
- Péter Palotás
- dresser: crowd
- Orsolya Sallai
- dresser
- Gábor Simkó
- dresser
- Nat Turner
- costume assistant
Camera Department
- Ernõ Bacsics
- rigging electrician
- Gyula Balogh
- rigging electrician
- András Bozsár
- rigging electrician
- Zsolt Büti
- gaffer
- István Csehy
- rigging electrician
- Gergely Csepregi
- focus puller: "b" camera
- Zoltán Dzsupin
- clapper loader: "b" camera
- Tibor Gazdig
- electrician
- Károly Gaál
- best boy
- Márton Gregus
- electrician
- István Gyura
- crane operator
- Tamás Hámori
- remote head operator
- Gábor Inczédy
- electrician
- Tibor Kecskeméti
- grip
- Andy Long
- gaffer
- Dávid Lukács
- still photographer
- László Major
- electrician
- Sándor Major
- generator operator
- Mark Milsome
- focus puller: "a" camera
- Nikolaos Papanikolaou
- remote head technician
- Pal Perlaki
- grip
- Alastair Rae
- steadicam operator
- György Réder
- camera operator: "b" camera
- Imre Sisa
- dolly grip / key grip
- Richárd Szeidermann
- electrician
- Andras Szoke
- clapper loader: "a" camera
- Tamás Takács
- video assistant
- Ádám Turbuk
- camera trainee
- András Tóth
- best boy / dolly grip: second camera
- László Tóth
- rigging electrician
- Norbert Kroó
- camera car assistant
- Attila Pfeffer
- steadicam operator
- Lengyel Péter
- light board operator
Location Management
- Imre Bodo
- assistant location manager
- Márton Ivanov
- location assistant
- András Kassai
- location maintenance
- Csilla Koráng
- location security supervisor
- András Tóth
- location manager
Script Department
- Libbie Barr
- script supervisor
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