The Green Mile credits

Craig Barron
visual effects supervisor: Matte World Digital: Thomas Clary
digital effects associate producer: POP Film and Animation: Pat Conran
digital artist: ILM: Michael Degtjarewsky
digital effects compositor: POP Film and Animation: Krystyna Demkowicz
visual effects producer: Matte World Digital: John Dietz
visual effects lighting artist: Rhythm & Hues Studios: Brian Dowrick
animator: Rhythm & Hues Studios: Christopher Evans
chief digital matte artist: Matte World Digital: Carl N. Frederick
cg supervisor: ILM: Joe Gareri
visual effects executive producer: POP Film and Animation: Charles Gibson
visual effects supervisor: Stephanie Hornish
visual effects producer: ILM: Jiri Jacknowitz
digital artist: ILM: Eileen Jensen
visual effects lighting supervisor: Rhythm & Hues Studios: Nancy Kato
animator: Rhythm & Hues Studios: Bill Kroyer
animation supervisor: Rhythm & Hues Studios: Tom Lamb
digital effects compositor: POP Film and Animation: Lawrence Littleton
digital effects compositor: POP Film and Animation: Jodie Maier
digital artist: ILM: Chad Merriam
visual effects producer: Rhythm & Hues Studios: Brett Northcutt
digital matte artist: Matte World Digital: Khatsho John Orfali
digital artist: ILM: Betsy Paterson
2d visual effects supervisor: Rhythm & Hues Studios: Ellen Poon
visual effects supervisor: ILM: Bob Powell
digital artist: ILM: Paul Rivera
digital composite supervisor: Matte World Digital: Michael Root
digital compositor/animator: Matte World Digital: Thomas Rosseter
cg supervisor: ILM: Kenneth Smith
film and editorial: ILM: Todd R. Smith
digital compositor: Matte World Digital: David Sosalla
visual effects supervisor: POP Film and Animation: David Valentin
visual effects production: ILM: David Weitzberg
digital artist: ILM: Leah Anton
digital compositor: Ken Bryan
digital modeler: Daniel Aristoteles Collins
visual effects systems & operations artist: Rhythm & Hues Studios: Brandon Craig
render coordinator: Beth D'Amato
digital roto/paint artist: Camille Eden
visual effects production assistant: ILM: Christian Foucher
digital effects artist: Adrian Graham
digital artist: ILM: Royce Hager
motion control rigger: Phil Holland
scanning & recording operator: David Latour
animator: ILM: Mike Leben
motion control operator: Paul Maples
motion control operator: Ian McCamey
editorial technical assistant: Jim Morris
senior staff: ILM: Evan A. Nesbitt
visual effects unit director of photography: Jaime Norman
visual effects production assistant: ILM: Rick O'Connor
cg animator: Jim Rider
motion control cameraman: George Sakellariou
visual effects production engineering: ILM: Todd Sarsfield
scanning and recording operator: Ellen Schade
effects assistant editor: Morgan Trotter
3d artist: R.D. Wegener
3d camera matchmove artist: ILM: Len White
visual effects: Bob Wiatr
digital effects compositor: POP Film and Animation

Assistant Director

David M. Bernstein
second assistant director: Alan B. Curtiss
first assistant director: Charles Gibson
second unit director: Sean Hobin
second assistant director: present day sequences: L. Dean Jones Jr.
first assistant director: present day sequences: Jules Kovisars
second second assistant director: present day sequences: Liz Ryan
first assistant director: second unit: Jodie Thomas
dga trainee: Basti Van Der Woude
second second assistant director: Jonathan Watson
second assistant director

Production Management

Christy Dimmig
post-production supervisor: L. Dean Jones Jr.
unit production manager

Art Department

Michael Craig Adams
construction: Tennessee: Billy Baker
set dresser: John Barbera
construction: Tennessee: Sheila Bartlett
construction: Tennessee: Tom Benardello
construction: J. Gregory Evans
art department buyer: Jack Evans
on-set dresser: Maureen Farley
property master: Chris Fielding
set dresser: Andrew P. Flores
stand-by painter: Daniel Gilmore
construction: Nelson Hawthorne
painter: Rocco J. Hindman
art department production assistant: David Howland
construction: Eric Karas
stand-by carpenter: Beatriz Kerti
art department coordinator: Melanie S. Ladish
set dresser: Edward F. LaLone
construction buyer: Kim Larsen-Santini
assistant props: Ed Lee
concept artist: Sasha Madzar
construction: Merdyce McClaran
assistant props: Mark McGraudy
construction: Sebastian Milito
construction coordinator: Mike Minor
construction: Tennessee: Scott Mizgaites
construction foreman: Christopher Neely
leadman: Steve Perea
construction: Natalie Pope
set decorator: present day sequences: John Rabasca
construction: Tennessee: Isidoro Raponi
construction: Dixwell Stillman
construction foreman: Brandon Dale Tarpy
construction: Tennessee: Summer Valdes
art department assistant: present day sequences: Kurt Verbaarschott
set dresser: Pete von Sholly
storyboard artist: Iacopo Wachter
construction production assistant: Dianne Wager
set designer: Donald B. Woodruff
set designer: Mark Woods
leadman: present day sequences: John Alvin
poster artist: Kinney Booker
set dresser: Rick Broderman
paint foreman: Adolfo Castanon
greensman: Michael W. Chase
propmaker: Gary J. Coelho
laborer: Thomas Cooper
propmaker foreman: Tom Craig
set dresser: Michael Denering
scenic artist: Shiuvaun Egan
props: Michael Goss
labor: Gordon McVay
set dresser: C.J. Pyles
swing gang: Bruce Richter
art special effects: Larry Sauls
on-set dresser: North Carolina: Jay Smith
drapery foreman: Drew Struzan
poster artist: Margaret A. Thigpen
set dresser: Marcel Worch
carpenter

Stunts

Clay Boss
stunts: Danielle Burgio
stunts: H.D. Burton
stunts: Steve Chambers
stunts: Tim A. Davison
stunts: Tommy J. Huff
stunts: Jeff Imada
stunt coordinator: Ray Lykins
lead stunt double: Tom Hanks / stunts: Boone Narr
stunt coordinator: animals: Kerry Rossall
stunts: Clark Tucker
stunt double: Sam Rockwell: Jay Caputo
stunts: Jimmy N. Roberts
stunts: Dalton Rondell
utility stunts

Animation

Michaela Zabranska
animator: David Latour
animator: Rick O'Connor
animator

Editorial

Tracy Adams
assistant film editor: Alan Edward Bell
assembly editor: Matt Boatright-Simon
editorial assistant: Andrew Dickler
assistant film editor: Toby Francis-Bruce
apprentice film editor: Mo Henry
negative cutter: David C. Horton Jr.
apprentice film editor: Robert C. Lusted
first assistant film editor: David Orr
color timer: Jim Schermerhorn
assistant film editor: Jim Schulte
assistant film editor: Keith Shaw
colorist: mastering: Jennifer Spenelli
Avid assistant film editor: Smith Timsawat
editorial assistant

Other

Johnny Bartlet
production driver: Jeff Couch
transportation captain: Ronald Wm. Cowan
production driver: David Garris
production driver: Ben C. Giller
production driver: Dave Haldeman
production driver: Dave Hodgin Jr.
transportation captain: Tennessee: Jim Johnson
production driver: Jack Kilgore
production driver: A. Welch Lambeth
transportation coordinator: Randy Lovelady
production driver: Michael Ralph Price
production driver: Lowell D. Smith
production driver: Andy Straub
transportation captain: Chris McDade
driver: Tom Moore
picture car coordinator: Molly Proctor
transportation production assistant

Music Department

Bill Bernstein
music editor: Julian Bratolyubov
music preparation: Jordan Corngold
assistant music editor: Arlene Fishbach
music consultant: Tom Hardisty
music scoring recordist: David Marquette
music scoring recordist: Leslie Morris
music contractor: Sid Page
concertmaster: Thomas Pasatieri
orchestrator: Dennis S. Sands
music scoring mixer: John Beasley
composer: additional score: Jason Bentley
music supervisor: Tom Boyd
musician: oboe soloist: Darius Campo
musician: violin: Jeff Coopwood
composer: additional music: Bruce Dukov
concertmaster: Danny Greco
musician: percussion: Sean M. Hickey
music preparation: Norman Ludwin
musician: bass: Victoria Miskolczy
musician: viola: Horia Moroaica
musician: violin: Thomas Newman
conductor / music producer: John Rodd
orchestral scoring recordist: Dennis Sager
engineer: Steven L. Smith
music preparation

Casting Department

Barbara Harris
adr voice casting: Charlie Messenger
extras casting: Kim Petrosky
extras casting: Tennessee Crew: Emily Schweber
casting associate: Maureen Whalen
casting associate: Kim McCray
extras casting assistant: Regina Moore
casting coordinator

Costume Department

Lis Bothwell
costumer: Marsha Bozeman
costumer: Tom Hanks: Paula Lynn Kaatz
costume supervisor: Heather Pain
key costumer: Patty Spinale
cutter/fitter: Gilda Texter
costume supervisor: present day sequences: Vincent Lapper
costumer: Stephen K. Randolph
set costumer: Tennessee crew: Kelly Anne Ross
set costumer

Camera Department

Gabriel Beristain
director of photography: present day sequences: Mark Brown
second assistant camera: present day sequences: Bobby Burton
gaffer: Anna Castellani
camera loader: Paul Cheung
electrician: second unit: Liam Clark
first assistant camera: second unit: Alan Cohen
first assistant camera: present day sequences: Scott Crabbe
video assist: James B. Crawford
best boy electric: second unit: David Emmerichs
camera operator / steadicam operator: Claude Fullerton
grip: Anne Gentling
camera assistant: present day sequences / camera loader: present day sequences: Cory Geryak
gaffer: second unit: Paul Hazard
electrician: Justin Holdsworth
electrician: Beth Horton
second assistant camera: "b" camera, Tennessee: David K. Howard
grip: Jay M. Huntoon
video assist: second unit: Casey Jones
key grip: Charles B. Katz
second assistant camera: Jimmy Keys
rigging gaffer: Wayne Kosky
rigging grip: Robert LaBonge
camera operator: "b" camera, Tennessee: Meera Laube
second assistant camera: second unit: Larry Liddell
electrician: Willie Mann
best boy grip: present day sequences: Wayne Marshall
best boy electric: Peter McAdams
grip: Jim McComas
electrician: Todd McMullen
first assistant camera: "b" camera, Tennessee: Brian Mills
dolly grip: second unit: Ralph Nelson
still photographer: Jason Newton
key grip: second unit: Randy Nolen
camera operator: present day sequences: Michael K. O'Melia
best boy electric: present day sequences: Heather Page
key first assistant camera: Les Percy
key grip: present day sequences: Craig Price
grip: Michael C. Price
dolly grip: present day sequences: Glen Purdy
key rigging grip: James Sobiegraj
electrician: Mike Sweeney
electrician: Mark Vargo
director of photography: second unit: Donald J. Vos
best boy grip: H. Mark Vuille
gaffer: present day sequences: Pete Wagner
grip: Charles W. Wayt
dolly grip: Jon Yirak
second assistant camera: Rocky Babcock
libra head operator: James Barrett
electrician: Khris Bennett
grip: Tennessee crew: Robert Daniel
studio technical support and services: David Ellis
electrician: Kenneth Estes
video playback operator: Scott Friedland
grip: Tennessee crew: Tim Gaylord
second assistant camera: Jeffry Gordon
electrician: Christopher Greenwood
video assist operator: Erik Hecomovich
rigging grip: Kyle D. Hutson
electrician: Dee Nichols
grip: Tennessee crew: Harrison Palmer
grip: New York/North Carolina: Ron Provenzano
set lighting: Michael T. Travers
grip: Tom Wholey
electrician: Darryl Wilson
grip: Tennessee crew

Location Management

Edwin Dennis
location manager: present day sequences: Mark Ragland
location manager: Tennessee: Gregory H. Alpert
location manager: pre-production: Kandice Billingsley
location assistant: Al D. Eakes
assistant location manager: Rory Enke
location scout: Northern California: Jeremy Gould
location scout: F. Stanley Pearse Jr.
location scout: Brian Ward
location assistant

Script Department

Dea Cantu
script supervisor: present day sequences: Susan Malerstein-Watkins
script supervisor: Connie Papineau
script supervisor: second unit

Cast & Crew

Cast & Crew

Directed By

Written By

Cast

Produced By

Music

Cinematography

Sound

Editing

Casting Director

Production Design

Art Direction

Set Design

Costumes

Makeup

Special Effects

Visual Effects

Assistant Director

Production Management

Art Department

Stunts

Animation

Editorial

Other

Music Department

Casting Department

Costume Department

Camera Department

Location Management

Script Department