X
- 1992
- R
- Warner Bros.
- 1 h 41 m
- 1992
- R
- Warner Bros.
- 1 h 41 m
Summary A small southwestern town Sheriff (Willem Dafoe) finds a body in the desert with a suitcase and five hundred thousand dollars. He impersonates the man and stumbles into an F.B.I. investigation.
Directed By: Roger Donaldson
Written By: Daniel Pyne
- 1992
- R
- Warner Bros.
- 1 h 41 m
- 1992
- R
- Warner Bros.
- 1 h 41 m
White Sands
46
User Score
Available after 4 ratings
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Where to Watch
Summary A small southwestern town Sheriff (Willem Dafoe) finds a body in the desert with a suitcase and five hundred thousand dollars. He impersonates the man and stumbles into an F.B.I. investigation.
Directed By: Roger Donaldson
Written By: Daniel Pyne
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 22 Critic Reviews
46
23% Positive
5 Reviews
5 Reviews
64% Mixed
14 Reviews
14 Reviews
14% Negative
3 Reviews
3 Reviews
Metascore
Mixed or Average
Based on 22 Critic Reviews
46
23% Positive
5 Reviews
5 Reviews
64% Mixed
14 Reviews
14 Reviews
14% Negative
3 Reviews
3 Reviews
The plot shifts as often as the desert in White Sands, an absorbing, tightly coiled thriller not always easy to follow, with a fine cast, no-fat direction by Roger Donaldson, and nasties belonging to the all-purpose CIA-FBI consortium of evil.
Donaldson ("No Way Out," "Marie") directs from a script by Daniel Pyne ("Pacific Heights," "Doc Hollywood"). He spins wheels at times and goes nowhere fast, but manages to produce a fairly even little adventure. There are good performances from the leads, with Rourke his usual nasty self - he's even sprayed his hair into a goofy-looking '50s 'do. Dafoe is determined and no-nonsense; Jackson is a proper, though somewhat manic, villain; and Mastrantonio provides a softened edge to the rough stuff. [20 Apr 1992]
What am I looking for in a thriller? I think maybe a movie where people get into a situation, instead of one where an artificial and manipulative situation is imposed on people. "Fatal Attraction" convinced me it was about people who were in a believable situation. I cared about them. White Sands is all arbitrary melodrama, and so the considerable skills that went into it are essentially wasted. [24 Apr 1992, p.38]
Red blood, white sands and a blue Corvette are the real stars of "White Sands," the slick new Roger Donaldson thriller that's more about its plot convolutions than its characters, and more about its visuals than either. [24 Apr 1992, p.85]
It’s possible to enjoy White Sands from moment to moment because the actors are avid and the New Mexico locations are delicately beautiful. Still, there’s something disconcerting about this anything-for-effect style of filmmaking. It doesn’t add up to anything satisfying.
Apart from a couple of nice touches - like a faked orgasm scene that's almost as off the wall as the one in When Harry Met Sally - mark this firmly in 'Should Have Been Better'.
After a fast, smart start, White Sands implodes like a black hole, sucking all goodwill from the atmosphere of the theater, turning those of us who started to love it into embittered cuckolds.
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Production Company
Morgan Creek Entertainment,
Polyphony Digital
Release Date Apr 24, 1992
Duration 1 h 41 m
Rating R
Tagline Ray Dolezal is a small-town lawman up against big-time corruption...all in the name of a dead man. Then again, Ray's always been the never-say-die type.
