SummaryDetective Sergeant June Lenker (Cush Jumbo) investigates an anonymous phone call that puts a confession from a case Chief Inspector Daniel Hegarty (Peter Capaldi) worked on in doubt in this thriller series from Paul Rutman.
SummaryDetective Sergeant June Lenker (Cush Jumbo) investigates an anonymous phone call that puts a confession from a case Chief Inspector Daniel Hegarty (Peter Capaldi) worked on in doubt in this thriller series from Paul Rutman.
Criminal Record doesn’t traffic in binary characterizations; neither June nor her nemesis are as good or as bad as they seem. Both make assumptions about the other and regularly circumvent the rules to further their agenda, and I toggled at least four times between believing one’s version of events over the other’s. The uncertainty adds a tantalizing layer of tension to June and Hegarty’s many clashes, as does the thrill of watching Jumbo and Capaldi face off.
Criminal Record’s central case doesn’t exactly break new ground in terms of its storytelling, though it does touch on several painfully timely issues around the larger failings and institutional problems of policing and justice generally. (Though, on the whole, it is better at asking questions than it is at answering them.) But as a two-hander between two powerhouse performers at the top of their respective games? It’s more than worth your time.
Engrossing start which slowly ratchets up the tension and builds to exciting climax at end of episode one. Loved watching these two powerful actors circle each other, probing each other's weak points, trying to take each other down. A superb, classy thriller.
All the elements needed for a great, compulsive police drama are there: undercurrents of wrongdoing by those in power, exposed by an underdog copper against all the odds… with lots of action added in for extra oomph. If it was on a more mainstream channel, its success would be inevitable.
Cush Jumbo and her character are the reasons why we’re going to keep watching Criminal Record. Not that we hate Peter Capaldi’s character, but at the outset he feels much more generic than Jumbo’s character, and given that the two of them face off during the entire season, that could end up being a big problem.
What might be a knotty enough case to sustain a two-hour movie or a four-episode arc within a longer drama starts to drag over eight hours. Which might be more forgivable if the world of the show were engaging enough to stand on its own merits — but despite creator Paul Rutman’s ear for natural-sounding dialogue, his characters hardly seem to deepen past the ideas they’re meant to represent.
Excellent acting from all but a plot and storyline that was very stale and desperate to show its woke campaigning credentials. The script was therefore tired to the point of being moribund and one that became tediously predictable after the first episode. Yet again we have the white cops = racist and evil whilst no member of any minority can possibly be shown as a culprit . In this series there was not a single significant white character who wasn't contemptible and evil or at the most charitable, deeply misguided. By contrast, all those of minority heritages were admirable, sypathetic and guilty only of resisting the "racist oppression of the fascist British state". Yawn! Really, in spite of one or two clever twists, this plot suffered badly from the now mandatory requirement to comply wth these appalling sterotypes to get anything produced by UK companies and that's a pity. Nobody disputes that these messages are of value and meaningful in today's society but must they a) be so crudely handled seemingly assuming that all viewers are stupid and b) so all-pervasive in every single drama we now see? One keeps hoping for change in this dimension but there is no sign of it yet on the horizon.