It interrogates the very tropes it indulges by finding new gears in old plot engines. And with the addition of a smart flashback structure keeping its central murder mystery afloat, Darío Madrona and Carlos Montero’s drama quickly proves addictive enough that it’s hard to stop watching before the end of its eight-episode conclusion.
Though Élite falls back on repeating many of the challenges we’ve seen in previous seasons, there are enough twists to keep things fresh, hooking viewers with the fates of both beloved and new characters.
Turn on those subtitles and enjoy the drama and excellent writing. Very unique characters that grow and you care about...even the bad ones. And a VERY goodlooking cast.
An excellent show. Loved it. They perfected the “Teen” Esque. The music was nice. The characters were well written. It was a good show overall. Wait for the next Season.
This season doesn’t deviate from the formula its audience has come to expect. The use of flashbacks and flash-forwards prevails, as well as the mechanism of using the inspector’s interrogations to keep up the intrigue.
Elite is not pushing new boundaries in television, it’s not a self-serious reboot of an old property, and it’s definitely not aiming at airless highbrow experimentation. In spite of that--or more likely because of it!--its commitment to breakneck melodrama is undeniably enjoyable.
There are so many storylines this season that seem directionless. The writers have seemingly forgotten that while some romantic drama creates exciting moments, the biggest appeal of Élite is the central mystery.
If you’re deeply invested in this soap opera and love sexy Spanish murder teens, watch it. However, the hedonistic joy of past seasons has been replaced by an icky feeling of dread. That — plus the fact that we don’t have a long history with any of the characters left — makes it a wee bit harder to root for new couples, old rivalries, and friendship to conquer all.
Esta serie solo se ve por Ester Exposito y el que diga lo contrario miente porque lo demas es una absoluta basura incluido el aron pipas xddddddddddddddddddd
Well, the series lends itself to luxury and visuals. Currently on its third season. The plot is realistic and elaborate in the first season aloneFor example, why in season three when Samuel meets with the inspector at the police station and the inspector says that Nano ran away and Samuel had no reaction to it and thought of his brother to come back. After all, Nano did not want to come back and he was not on the run but had left and started a new **** such, at first glance, flaws in the plot are a lot, but it's not so terrible, right. Because the target audience leveled everything out.Emphasis on easy sex, luxury, drama, parties almost every episode and substance. What's 15-20 y.o. still need.2 example: what happened to Samuel between the first and second season. Can the death **** really change a person "FULLY". Of course, after such an incident every person will have an imprint, but for a person's character to change so much that you think "this is a different person" it should take years of work on yourself, not just one summer vacation Apparently the writers were so "half-drunk on Rebecca's pear" after the success of the first season and wanted to give a damn about minor plot developments
Una serie juvenil que sobresale a nivel narrativo para sus estándares, sobresale la primera temporada, las otras dos valen la pena verlas, si eres fan. Personajes con poco sentido, un final de temporada espantoso.
Una serie juvenil que quiere innovar, pero lo logra a medias