Amy Biancolli

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For 214 reviews, this critic has graded:
  • 50% higher than the average critic
  • 1% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Amy Biancolli's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 The Disappearance of Alice Creed
Lowest review score: 0 Vanishing on 7th Street
Score distribution:
  1. Positive: 97 out of 214
  2. Negative: 39 out of 214
214 movie reviews
    • 68 Metascore
    • 50 Amy Biancolli
    In creating his modern homage to the classic film, Im has twisted all the heated melodrama into a satiric - and in the end, surrealist - attack on the terrors of the polished upper class.
    • 67 Metascore
    • 50 Amy Biancolli
    If the movie packs a weaker punch than the original, it has less to do with the action sequences than the script (by Edmond Wong, son of Raymond, who wrote the first), a flimsy affair with subpar villains.
    • 38 Metascore
    • 75 Amy Biancolli
    For all the hellfire histrionics and well-timed jump scares, there is actual, admirable intellect behind The Rite.
    • 69 Metascore
    • 75 Amy Biancolli
    Solid performances, and a sincere faith in the dignity of the average working stiff, save it from getting too preachy.
    • 82 Metascore
    • 100 Amy Biancolli
    This is a remarkable movie: lovely, slow-paced and almost silent, rich with pathos and deft comic gestures.
    • 46 Metascore
    • 50 Amy Biancolli
    Despite bursts of hilarity and an A-list cast, this is a dark, difficult, weirdly existential film - like some seriocomic spin on "I and Thou."
    • 45 Metascore
    • 50 Amy Biancolli
    A tough slog through emotional swamplands. It's murky when it needs to be clear. But Hedlund is the big news here.
    • 68 Metascore
    • 75 Amy Biancolli
    Baughman and O'Hara's documentary spews out so much information in just 111 minutes that the movie would have benefited from a longer run time and tighter focus.
    • 27 Metascore
    • 25 Amy Biancolli
    This is the first Focker installment not directed by Jay Roach, who did a good job balancing the yuks with the more outrageous gross-outs. That comic-revolting parity shouldn't be much of a challenge for "American Pie's" Paul Weitz, and yet the skeevier bits aren't especially funny.
    • 46 Metascore
    • 25 Amy Biancolli
    The film is confusing and awkwardly timed, and it drags.
    • 49 Metascore
    • 50 Amy Biancolli
    This sequel is also goofy, also eye-popping - see it in Imax 3-D if you really want to fry your optic nerve - and also weakly scripted. And yet the sheer size of the thing works against it: The effects are absolutely spectacular, but they blow the goofy-cheesy quotient straight through the roof.
    • 63 Metascore
    • 75 Amy Biancolli
    Megamind, it turns out, is a villain to root for.
    • 61 Metascore
    • 50 Amy Biancolli
    Narrated by Lomborg, the movie uses lecture excerpts, clips of terrified schoolchildren and interviews with (mostly) like-minded scientists to get his points across.
    • 69 Metascore
    • 75 Amy Biancolli
    Once it gets rolling, Unstoppable doesn't pause for breath.
    • 63 Metascore
    • 50 Amy Biancolli
    An arty, ruminative and slow-paced film that's being marketed as a big ol' alien-invasion flick. Just don't expect an invasion flick.
    • 88 Metascore
    • 100 Amy Biancolli
    The King's Speech is a warm, wise film - the best period movie of the year and one of the year's best movies.
    • 71 Metascore
    • 50 Amy Biancolli
    There aren't that many songs this time - just a handful, reprised ad infinitum. You get to sing most of them, so I'm sure you've noticed how bland they are.
    • 53 Metascore
    • 50 Amy Biancolli
    The third and most uneven film adaptation in the series.
    • 65 Metascore
    • 25 Amy Biancolli
    This one is a long, archetypal journey that screeches to a halt a few stops short of its destination.
    • 65 Metascore
    • 50 Amy Biancolli
    A tonally confused, fitfully entertaining film about a pathologically two-faced man.
    • 65 Metascore
    • 75 Amy Biancolli
    It's still a spirited look - well written, beautifully acted, full of uplift - at lovably cheeky heroines on the march for a little respect.
    • 68 Metascore
    • 75 Amy Biancolli
    Spitzer was undone by his zipper, but as Client 9 makes clear, he was also undone by his refusal - or inability - to make nice with some of the state's most powerful characters.
    • 60 Metascore
    • 75 Amy Biancolli
    "Hornet's Nest" isn't the best of the three (that would be the first film, "The Girl With the Dragon Tattoo"), but it's the most challenging.
    • 56 Metascore
    • 50 Amy Biancolli
    The title promises a film that never really materializes: something nastier, smellier, more nihilistic than the skittish morality tale at hand.
    • 61 Metascore
    • 75 Amy Biancolli
    A fine, fun remake of a movie that updates, transplants and reimagines the original without sacrificing its heart or goofy charm.
    • 33 Metascore
    • 25 Amy Biancolli
    Visually, Jonah Hex is an orgy of overstatement: rapid edits, garish colors, harsh light.
    • 47 Metascore
    • 50 Amy Biancolli
    Perrier's Bounty puts on a pretty good show: fast, foul, corny, strange.
    • 69 Metascore
    • 75 Amy Biancolli
    What joy it is to watch the man (Douglas) slime himself on camera.
    • 30 Metascore
    • 25 Amy Biancolli
    The film has some chuckles, if no belly laughs; it has some warmth, if no great heat.
    • 30 Metascore
    • 25 Amy Biancolli
    It's harmless.

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