Gregory Weinkauf

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For 341 reviews, this critic has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 0.6 points lower than other critics. (0-100 point scale)

Gregory Weinkauf's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 The Lord of the Rings: The Return of the King
Lowest review score: 0 How to Lose a Guy in 10 Days
Score distribution:
  1. Negative: 46 out of 341
341 movie reviews
    • 68 Metascore
    • 70 Gregory Weinkauf
    Technically, the movie occasionally rises to become awe-inspiring, and while sometimes you can smell the acting (especially from Matthes), the performances are often soulful.
    • 49 Metascore
    • 30 Gregory Weinkauf
    The new version by Harold Ramis trots out a load of bargain-rack gags, tarted up with pricey effects for the A.D.D. generation. Woe to those who cannot leave well enough alone.
    • 79 Metascore
    • 80 Gregory Weinkauf
    Deftly delivered and free of gratuitous gloss, yet enormously rich in its unassuming manner.
    • 70 Metascore
    • 20 Gregory Weinkauf
    We're in for a long, unpleasant, reactionary ride.
    • 90 Metascore
    • 100 Gregory Weinkauf
    A masterful film about the magic of performance and the foibles of the artists behind it.
    • 81 Metascore
    • 50 Gregory Weinkauf
    Revelatory and disappointing.
    • 70 Metascore
    • 70 Gregory Weinkauf
    Since the narrative's destination is awkwardly obvious, and the tone occasionally melts into a sticky-sweet mess like cotton candy in the sun, the movie is most often saved by its generous helpings of clever dialogue.
    • 62 Metascore
    • 70 Gregory Weinkauf
    Smith has fashioned a complex, contemporary Bible epic on his own terms. By turns crafty and clunky, pious and profane, it's clearly a labor of love.
    • 36 Metascore
    • 30 Gregory Weinkauf
    Unhampered by imagination and driven solely by libido.
    • 80 Metascore
    • 80 Gregory Weinkauf
    His (Pawlikowski) love story, which is by turns sensuous, charming, and uniquely moving.
    • Dallas Observer
    • 67 Metascore
    • 80 Gregory Weinkauf
    Braugher does much to hold this show together, because without him, the reality gets muddled. He's a terrific balancing agent for both Caviezel and Quaid; kudos to casting.
    • 57 Metascore
    • 30 Gregory Weinkauf
    Sits before us like an exquisite platter of wax fruit, colorful, flavorless, and, if you eat it, very likely to come back up.
    • 29 Metascore
    • 50 Gregory Weinkauf
    Although DeSalvo performs the miracle of making these characters seem like people we actually know, occasionally her delivery definitely makes us wish we didn't.
    • 56 Metascore
    • 70 Gregory Weinkauf
    Grand entertainment in the old-fashioned sense.
    • 58 Metascore
    • 50 Gregory Weinkauf
    Although Morrison's drama feels increasingly forced and manipulative as the movie rolls along, the movie is competent if painfully predictable.
    • 59 Metascore
    • 70 Gregory Weinkauf
    A pensive, reflective movie, more or less equal in tone to Ang Lee's "The Ice Storm," yet, because of its temporal breadth and tight emotional focus, it packs a more intimate punch.
    • 47 Metascore
    • 50 Gregory Weinkauf
    If you love the excitement of watching golf, this Damon-Smith bore is right up your fairway.
    • 25 Metascore
    • 50 Gregory Weinkauf
    Knockout's heart is in the right place, but it drags because of tedious earnestness and shallow "You go, girl!" feminism.
    • 52 Metascore
    • 20 Gregory Weinkauf
    Moments of strained mirth indicate how false and fabricated the whole enterprise really is--just a couple of well-to-do superstars doing their darnedest to prove to us that they're regular folk. And failing.
    • 70 Metascore
    • 60 Gregory Weinkauf
    Quills is bound to titillate some, but for most it's likely to summon little more than a few Oscars and appreciative yawns.
    • 40 Metascore
    • 70 Gregory Weinkauf
    A solo "Thelma and Louise" crossed with a gender-reversed "The Fugitive" with a dry twist of "Fletch."
    • 71 Metascore
    • 50 Gregory Weinkauf
    Once Connell finds his feet, he just may stride forth with his Important American Movie. Until then, The Opportunists is simply a whiff of great unwashedness yet to come.
    • 38 Metascore
    • 40 Gregory Weinkauf
    You'll get that $8 nap you've been craving.
    • 40 Metascore
    • 60 Gregory Weinkauf
    This modest project is all about atmosphere and reflection, and, as such, it is successful.
    • 57 Metascore
    • 80 Gregory Weinkauf
    What makes this movie special is the meticulous attention placed on each of its characters, employing them not in the traditional "melting pot" manner that is so common, but as part of a grand mosaic that actually seems to be worth sharing.
    • 61 Metascore
    • 30 Gregory Weinkauf
    Forces its snuggly weirdo upon us and instructs us from the get-go to love him.
    • 69 Metascore
    • 80 Gregory Weinkauf
    In this, Lee's most ambitious and successful work yet, his celebrated gift for psychological shading and complexity is on proud display.
    • 75 Metascore
    • 40 Gregory Weinkauf
    This elegant vision of sexual roles is certain to make a lasting impression and is likely to provoke explosive dialogues in Denny's and sidewalk cafés from here to Monaco.
    • 35 Metascore
    • 30 Gregory Weinkauf
    Taken as a whole, the movie seems to be searching for a harmony it never really achieves.
    • 56 Metascore
    • 40 Gregory Weinkauf
    Don't expect to be wowed by a vast spectrum of delicacies, as the buffet here is composed of entirely obvious ingredients.

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