Gregory Weinkauf

Select another critic »
For 341 reviews, this critic has graded:
  • 59% higher than the average critic
  • 4% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 1 point lower than other critics. (0-100 point scale)

Gregory Weinkauf's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Dirty Pretty Things
Lowest review score: 0 Rollerball
Score distribution:
  1. Negative: 46 out of 341
341 movie reviews
    • 80 Metascore
    • 80 Gregory Weinkauf
    His (Pawlikowski) love story, which is by turns sensuous, charming, and uniquely moving.
    • Dallas Observer
    • 56 Metascore
    • 80 Gregory Weinkauf
    CQ
    It's a feel-good movie for people tired of paying to feel bad. Bring it on.
    • 75 Metascore
    • 90 Gregory Weinkauf
    This roaring crowd-pleaser also boasts hilarious bits of business, insightful observations into the human condition, and geysers of kitschy computer-generated blood.
    • 48 Metascore
    • 60 Gregory Weinkauf
    Argento knows how to work her stuff, and the result is by turns saucy and grody, a fat lasagna of yesterday's "extreme" behavior dripping with Euro cheesiness.
    • New Times (L.A.)
    • 90 Metascore
    • 90 Gregory Weinkauf
    Amazingly, almost every note of every performance in Bloody Sunday rings true.
    • 55 Metascore
    • 70 Gregory Weinkauf
    James Bond wants us to believe he's an Everyman. The lovely thing is, it works.
    • 48 Metascore
    • 80 Gregory Weinkauf
    As it stands, it's cute, occasionally poignant and outrageously implausible.
    • 52 Metascore
    • 70 Gregory Weinkauf
    It's basically your above-average nice drug movie.
    • 75 Metascore
    • 70 Gregory Weinkauf
    Manages to be both astoundingly derivative and reasonably entertaining at the same time.
    • 70 Metascore
    • 60 Gregory Weinkauf
    Despite moments of gritty greatness that rival Scorsese's best, the movie is severely hampered by please-everyone syndrome, especially in the editing and choice of music.
    • 12 Metascore
    • 20 Gregory Weinkauf
    Mostly this happy train wreck feels like a longer, better movie that was chopped up and reassembled by retarded monkeys; what should have been a rush instead feels rushed.
    • New Times (L.A.)
    • 49 Metascore
    • 50 Gregory Weinkauf
    The story's a trifle, but it's consistently edgy as the team stride straight into the middle of grisly violence so they can capture it on film.
    • New Times (L.A.)
    • 64 Metascore
    • 80 Gregory Weinkauf
    If Hallström has a problem with tone, it lies in his almost supernatural niceness. Thus, what arrives on-screen is purely a man's feminism, simple and trite and beautiful and vital.
    • 45 Metascore
    • 0 Gregory Weinkauf
    All in all, the only lesson here is how to irritate. This is a stupid movie for stupid people. If you're a stupid person, knock yourself out. Please
    • 30 Metascore
    • 60 Gregory Weinkauf
    As a thriller, The Butterfly Effect is iffy and uneven, but as a portrait of a people, it's effective and intriguing.
    • 67 Metascore
    • 50 Gregory Weinkauf
    The soul of Gladiator is made sluggish by a maddening lack of suspense.
    • 68 Metascore
    • 70 Gregory Weinkauf
    Guaranteed to jolt viewers of a Norman Rockwell mentality well into the 21st century.
    • 49 Metascore
    • 40 Gregory Weinkauf
    All in all, this is every inch a TV movie.
    • 22 Metascore
    • 30 Gregory Weinkauf
    Once the terror ends and the credits roll, we finally get to the best part: a merciful escape.
    • 60 Metascore
    • 90 Gregory Weinkauf
    Director Oliver Parker (An Ideal Husband) -- who also adapted the screenplay to include aspects from Wilde's unrevised four-act version of the play -- embraces the material with great gusto, delivering as charming and irresistible a film as one could demand.
    • New Times (L.A.)
    • 67 Metascore
    • 80 Gregory Weinkauf
    Those seeking a spiritual counterpart to the yin of Lynne Ramsay's masterfully moody "Morvern Callar" will find their yang in David Mackenzie's exquisitely sorrowful Young Adam.
    • 67 Metascore
    • 90 Gregory Weinkauf
    A grand, old-fashioned epic, this project is every bit as important as "Gladiator" or a new "Star Wars" episode.
    • 42 Metascore
    • 70 Gregory Weinkauf
    Delivers a thoughtful what-if for the heart as well as the mind.
    • 79 Metascore
    • 70 Gregory Weinkauf
    As a document of rockin, youth rebellion, the film lodges perfectly between "American Graffiti" and "Trainspotting."
    • 71 Metascore
    • 80 Gregory Weinkauf
    If you're after some family-friendly classic lit at the multiplex, here 'tis.
    • 67 Metascore
    • 80 Gregory Weinkauf
    This infusion of warrior philosophy is the gas in Ghost Dog's tank, and Jarmusch pumps it up for maximum octane throughout.
    • 56 Metascore
    • 50 Gregory Weinkauf
    When it's all over, one is less compelled to applaud than to give each "character" a sympathetic hug.
    • 89 Metascore
    • 100 Gregory Weinkauf
    This is the breakout role for Sigourney (née Susan) Weaver, whose iconic presence still propels this ride beyond the scores of substandard imitations that followed. Why see it on the big screen? Because it's bloody brilliant.
    • 28 Metascore
    • 20 Gregory Weinkauf
    Less a spiritual quest than a very self-indulgent gimmick movie that could use a strong shot of inspiration.
    • 54 Metascore
    • 70 Gregory Weinkauf
    There's elegance and grace here, fostering an opportunity to reflect upon why men get so dutiful about being down. It's worth the hike.

Top Trailers