For 495 reviews, this critic has graded:
  • 48% higher than the average critic
  • 21% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 8.8 points lower than other critics. (0-100 point scale)

Kimber Myers' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Apollo 11
Lowest review score: 0 Blumhouse's Fantasy Island
Score distribution:
  1. Negative: 97 out of 495
495 movie reviews
    • 70 Metascore
    • 80 Kimber Myers
    Sims-Fewer and Mancinelli have crafted a morally complex film that mingles sex and violence in ways that are meant to make the audience uncomfortable.
    • tbd Metascore
    • 90 Kimber Myers
    The vibrant, absolutely vital documentary “Martha: A Picture Story” introduces audiences to the now-septuagenarian photographer as she’s suiting up for a night out, strapping on a backpack with her camera to tag along with taggers, keen for the perfect shot and to avoid getting caught.
    • 46 Metascore
    • 60 Kimber Myers
    Like its juvenile characters, Yes Day sometimes goes too far, with over-the-top scenes that lessen the impact of the genuine emotions elsewhere. But will kids whine about it (other than for their own Yes Day)? Probably not, and parents likely won’t mind either.
    • 83 Metascore
    • 80 Kimber Myers
    Lo’s humane film helps us glimpse the lives of those who are often overlooked, whether they walk the streets of Istanbul on four legs or two.
    • 65 Metascore
    • 70 Kimber Myers
    This trip is filled with goofy fun, though it wanders enough to occasionally test the attention spans of those neither young enough nor high enough to be in the film’s target audience.
    • 65 Metascore
    • 70 Kimber Myers
    Returning director Michael Fimognari and screenwriter Katie Lovejoy have made a love letter to all of these characters — not just Lara Jean and Peter — and audiences will find it hard not to be smitten too.
    • 61 Metascore
    • 70 Kimber Myers
    The Map of Tiny Perfect Things mingles happiness and sadness as easily as it does genres, ultimately resulting in a film that is its own little joy.
    • 69 Metascore
    • 70 Kimber Myers
    While its beats are familiar, TV director Jude Weng’s debut feature diverges from its well-worn path when it matters, staying true to its heart and love of Hawaiian culture.
    • 43 Metascore
    • 50 Kimber Myers
    There’s merit — and in fact, real present need — for what The Mindfulness Movement is trying to say, but the film often gets in its own way.
    • 60 Metascore
    • 83 Kimber Myers
    The initial draw of Sea Fever might be as a monster movie, but this is a profoundly humane and humanist film whose ideas stays with you longer than the nightmares.
    • 42 Metascore
    • 50 Kimber Myers
    A few strong moments from its stars brighten the film, but it’s never more than a mildly enjoyable diversion.
    • 47 Metascore
    • 40 Kimber Myers
    Tape might be based on a true story but it still feels disingenuous, both in its bleakest moments and in those meant to inspire solidarity. There’s clumsiness present in the filmmaking, with issues that deserve so much better.
    • 63 Metascore
    • 70 Kimber Myers
    Regardless of how far audience members are from their own post-high school, pre-college summer like these teens, there’s still truth and plenty of laughter here that feels specific to their experience yet universal to anyone who’s had a BFF.
    • 66 Metascore
    • 60 Kimber Myers
    Its chill, holistic view of the clinic and its canine patients will likely appeal to pet lovers and wellness devotees alike, although the allergic and the skeptics might find their minds wandering toward its end.
    • 44 Metascore
    • 50 Kimber Myers
    While not everything connects in the movie, Hooking Up is saved by the efforts of Snow and Richardson. They make a charming couple, even if the film itself has less allure.
    • 41 Metascore
    • 40 Kimber Myers
    Those looking for inspiration will find it without looking too hard, but those who don’t attend church regularly will be as bored as they would be by a sermon.
    • 47 Metascore
    • 50 Kimber Myers
    Unfortunately, this Australian horse racing film remains a standard underdog narrative that fails to rouse the audience from their seats, despite the best efforts from its cast and a few charming moments.
    • 65 Metascore
    • 80 Kimber Myers
    Swallow is difficult viewing at times, but it’s psychologically rich and always feels genuine, even in its gorgeously stylized approach to the interior life of its complex protagonist.
    • 51 Metascore
    • 70 Kimber Myers
    Not every note rings true, but this breezy pop song of a movie is mostly fun while it lasts.
    • 61 Metascore
    • 70 Kimber Myers
    Though it’s not without humor, All the Bright Places takes teens’ emotions seriously and will move romantics of any age — in possibly unexpected ways.
    • 59 Metascore
    • 70 Kimber Myers
    It digs deeply into youth homelessness, as well as its roots in the foster care system, LGBTQ discrimination and sex trafficking.
    • 69 Metascore
    • 40 Kimber Myers
    De Clercq’s clear directorial talent gives the film the illusion of respectability, but it can’t remove the sweaty sheen of smarm.
    • 22 Metascore
    • 0 Kimber Myers
    The movie can only be classified as something truly terrible, escaping any other categorization that would make it resemble an actual film.
    • 61 Metascore
    • 70 Kimber Myers
    This is a fast, fun watch that succeeds largely on the charms of its star and the able hands of its director.
    • 38 Metascore
    • 30 Kimber Myers
    The film’s heart appears to be in the right place, but its missteps and melodrama make this a fromage unworthy of savoring.
    • 62 Metascore
    • 60 Kimber Myers
    This isn’t the anodyne, awards-baiting film about disability that viewers might be used to; instead, Hikari’s feature debut is sensitive and empathetic, showing a young woman who is more than just her cerebral palsy. Yuma is a wildly creative, sexual person who deserves more than her society often gives her.
    • 64 Metascore
    • 50 Kimber Myers
    Gretel & Hansel is Perkins’ biggest film to date, and it cements a filmmaker in full possession of a visual prowess that few others with far longer filmographies can claim. But while he offers a stunning feast for the eyes, the substance is likely to leave viewers still hungry.
    • 33 Metascore
    • 50 Kimber Myers
    Like a Boss is screamingly funny at times, thanks largely to the talented cast.
    • tbd Metascore
    • 40 Kimber Myers
    What might have worked in theater doesn’t translate here, particularly the repetition of words and phrases that feel true to the original medium but grate here on screen.
    • tbd Metascore
    • 60 Kimber Myers
    In Elsewhere, Jiménez has made a humanist film that deals sensitively with the processes of grief and moving on.

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