SummaryYoung, up-and-coming martial artist, Bruce Lee, challenges legendary kung fu master Wong Jack Man to a no-holds-barred fight in Northern California.
SummaryYoung, up-and-coming martial artist, Bruce Lee, challenges legendary kung fu master Wong Jack Man to a no-holds-barred fight in Northern California.
As alternatingly silly and serious as its mix of wisdom and wallops, and even with that blond bro gumming up the works, “Birth” is nevertheless zippy, B-movie entertainment.
Birth of the Dragon is ambitious: it wants to be a character study, an explication of martial arts philosophy and an action picture.... But the film never really gets fully juiced until the climax.
This is an enjoyable movie that brings Bruce Lee back into the spotlight for a new generation. This movie is more like the Ip Man movies, in that they were highly dramatized re-imaginings of actual events in Ip Man's life. The first and third acts are pretty good, while the second is a little clunky. For a more in-depth breakdown you can see my full review here:
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This is a fun and interesting film. It deserves more positive reviews than it will inevitably receive. It utilizes Bruce Lee the way A Hard Day's Night and Help! utilized the Beatles; "Bruce Lee" is a character here in a martial-arts action film, not a definitive and reverent biopic. Set in San Francisco in the mid-1960s, it lifts elements from Lee's biography—his controversial teaching of kung fu to Caucasians, his mysterious and contested private fight with Shaolin master Wong Jack Man—but it also includes entirely fictional characters and passages, including a scene in which Lee and Wong elaborately fight their way through a Triad-owned restaurant. (The choreography here and elsewhere is excellent.) The end result, I believe, nicely plays as an extension of Lee's pop mystique and brand, and I half suspect the man himself, no stranger to self-mythologizing, would smile and nod in approval. He is played by a convincing Philip Ng, a Hong Kong-born actor who achieves an appropriate combination of arrogance and charisma. Even better is Xia Yu as Wong; his is an absolutely magnetic variation on the he-doesn't-want-any-trouble warrior-pacifist archetype, and it is a pleasure to lean into his every delectably inscrutable line of kung-fu philosophizing.
In the hands of director George Nolfi, what could have been a fascinating insight into street versus classical martial arts instead becomes a generic fight flick, with a script so heavy-handed it feels like it was bashed out with knuckle-dusters.
The whole enterprise plays like a throwback, summoning up memories of Lee’s cut-rate/no-script “chop sockey” pictures where the charisma was obvious, the fights epic, the stories an afterthought and the effects wincingly obvious.
The aura of cheap-o emptiness is overwhelming: Scenes tend to be visually featureless, composed against strangely empty walls or Vancouver street corners. Even the occasionally decent fight choreography looks unappealing.
A bait and switch, the story is still solid. There's the main plot of Bruce Lee vs Wong Jack Man, but there's also the sub-plot with Lee's white student falling for a Chinese girl and wanting to rescue her from thugs. The sub-plot actually becomes the main plot which has understandably angered viewers, and why I call it "bait and switch". The movie is nothing special but it has some good fight scenes, and the story grows on you. I thought I was going to hate it, but didn't. It's OK but it's not worth a $15 ticket.
A tremendous lack of respect for the name and legacy of Bruce Lee, and it's not because it harms his work, but because it's going to be associated with him.
This is not another Bruce Lee biopic, but a narrative that focuses on one seminal event. When he was just starting to get noticed, Lee was frowned upon by traditional martial arts artists because he taught non-Chinese. As a result, a great kung fu master traveled from China to California to challenge him. The fight scenes are skillfully choreographed, but there's nothing skillful about the plodding plot between them. The dialogue is written on a level below the prosaic style of a Lifetime movie. Adding a major Caucasian character to the mix is a ridiculous attempt at widening the film's audience. If you're just interested in hand-to-hand (and legs) combat, you won't be disappointed. But if you're looking for insight into Lee, this embarrassingly-written movie won't provide much.
Birth of the Dragon introduces Bruce Lee as a character to the modern industry and the results are very terrible. Feels exactly nothing like those Bruce Lee movies that inspired this film. If it was more built under the pressure, maybe this film could have been better than what it is today.
I watched the trailer for this movie and knew then that I was going to skip it, and I eventually was dragged into watching it on dvd with family, so heres my review, this depiction by the WWE is really written like a WWE fight, I was surprised that the undertaker was not written into the fight, this movie was a bad idea, in reality only a few people actually witnessed Bruce Lee when he fought Wong Jack Man, and this movie tries to hype the fight out of proportions, the real fight in reality lasted 3-5 minutes at best and Bruce barely won the fight fair and square, now imagine WWE fan fiction written surrounding a 3-5 minute fight that bruce lee won in reality, and thats pretty much what this movie is, a whole lot of fan fiction and the 3-5 minute fight is not even accurate to real fight that occurred, i'm glad I skipped it when it was in theaters...