SummaryEmily imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the world's most famous, enigmatic, and provocative writers who died too soon at the age of 30.
SummaryEmily imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the world's most famous, enigmatic, and provocative writers who died too soon at the age of 30.
Only two publications by Emily Brontё exist. Her poetry appeared in a single volume, “Poems by Currer, Ellis and Acton Bell,” (1846) pseudonyms for Charlotte, Emily and Anne Brontё. The sisters spent £50 to publish the collection and sold two copies. Emily’s only novel, “Wuthering Heights,” (1847) is a story of hatred, anger, violence and revenge, all driven by unrequited love. It was despised by contemporary critics, who called it immoral, uncivilized and even animalistic. Today, the book is consistently regarded as one of the most important works in the English language.Even less is known about Emily Brontё at a personal level. She was suspicious of people outside her immediate family. She rarely left home. It has been reported that she would hide behind doors or under tables when visitors arrived at her home. Unlike her sister Charlotte, she left behind no meaningful correspondence. She died at age 30 from tuberculosis.Given the lack of source material, first-time Writer/Director Frances O’Connor essentially started with a blank canvas. Rather than exhibiting the public timidity of her subject, O’Connor swings for the fences. Early on, the director informs the audience that there will be little reverence for facts. In Act One, Emily receives three copies of “Wuthering Heights” with her name on the spine. In that time, female authors always used pseudonyms. So we are forewarned that this film will offer its own interpretation of **** screenplay embraces Emily’s strangeness and her discomfort with the world around her. As her brother Branwell says at one point, “Everyone’s strange if you look at them long enough.” But O’Connor also gives us a compelling character who is fierce, independent, intense, intelligent and passionate. O’Connor’s script makes this distant Victorian figure the most compelling character I’ve seen onscreen this year. As a director, O’Connor’s choices reflect a boldness that’s remarkable for a first feature **** the title role, Emma Mackey (TV’s “Sex Education”) dominates the screen. Mackey compellingly conveys Brontё’s anguish as she chafes while relegated to the roles demanded by society. You feel the fierceness of her loyalty to her siblings and her protectiveness of family, particularly of her dissolute brother, Branwell. You share her admiration and her confusion as Emily watches her sister Charlotte move out into the world, take on teaching positions and carve out a place for herself in a culture that Emily finds unbearable. Most of all, you observe the depth of her passion and the breadth of her **** film is an ode to individuality in a world that, then and now, cherishes convention and conformity. Today, social media has bred a generation desperate to be seen, noticed and liked. O’Connor slyly offers an antidote in the form of a role model/protagonist who is completely indifferent to public opinion. This Brontё sister will haunt me for some time to come. “Emily” is one of the best films of the year.
IN A NUTSHELL:
It takes a brave director to tackle the character of Emily Bronte in a new way because her novel Wuthering Heights has been so beloved since it was published in 1847.
The movie was written and directed by Frances O’Connor in her directorial debut! Brave, indeed!
The story is about Emily Bronte, who imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit. Emily Bronte is one of the world’s most famous, enigmatic, and provocative writers who died too soon at the young age of 30. Who knows what masterpieces she could have written had she been given more time?
THINGS I LIKED:
Emma Mackey is beautiful and talented. I loved her subtle expressions. I’m sure we’ll be seeing a lot more of her in the future. She reminded me of a younger, brunette version of Margot Robbie. This is the second time Emma has disrobed in a movie. We see her bare chest in this movie.
The rest of the capable cast includes Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling, and Gemma Jones.
Beautiful costume design.
Stunning English countryside and cinematography.
The movie was shot at the West Yorkshire home of the Bronte family in England!
The lighting was noticeably good. Sometimes, movies about the 1800s show very dark interiors, making it difficult to see what’s happening in nighttime scenes.
I enjoyed the effective and haunting musical score.
There are several intriguing conversations about questioning God and the church.
The tone of the movie is overall sadness, as it shows the tragic life of Emily Bronte. If she lived today, she may have been diagnosed on the autism spectrum.
As an author of 31 books, I’m always fascinated to watch movies about other authors and learn about what inspired them.
We see character arcs in several characters in the story.
THINGS I DIDN’T LIKE:
True literary fans of Emily Bronte’s work may not approve of the artistic liberties that the director has taken with this story. It’s important to know this is not a historically-accurate biopic. Some of the names and events from the Wuthering Heights story are depicted as real history in the film.
There’s a creepy, paranormal scene that caught me off guard.
Ultimately, it’s a depressing film.
TIPS FOR PARENTS:
Kids will be very bored.
Alcohol and opium are consumed.
Cigarette smoking
A single man kisses a married woman
An unmarried couple goes at it in a variety of places. We see skin and both people shirtless.
Mackey, in particular, is a powerhouse. The young star is matched well with O’Connor’s carefully calibrated, appealingly earnest script, which approximates a modern sensibility without striking a false note or straying from Emily’s contemporaneous moors.
Undoubtedly, filmmakers like O’Connor wish to honor their subjects instead of idly speculating. Emily performs that complicated maneuver with casual ease, proving that for the right kind of movies, actors make the best kind of directors.
Luckily we get to look long and and hard at this Emily, brought provocatively to life by O’Connor and her star. Strange or not, it’s hard to look away.
For this homage, Emily, actor-turned-director Frances O’Connor uses speculation and outright fiction to fill in the threadbare historical tapestry. The result, although impressively mounted and passably entertaining, has the generic feel of many woman-centered 19th century period pieces.
If O’Connor’s aim was to recreate a British classic, she has surely failed to reach those lofty heights. Mackey shows further signs of promise, but she’ll be better off elsewhere.
Emily
This biopic drama tells an imagined relationship between English Writer Emily Brontë and the young curate William Weightman.
In this, Emily has a short-lived romantic entanglement with the curate before she wrote the now English classic Wuthering Heights.
Emma Mackey in the lead role brings a shy and subdued performance to Emily Brontë, and the supporting cast adequately balance it all.
Barely a biopic due to the staggering liberties taken, but Emily is a well-acted, well-shot and well-directed flick.
6.5/10
Um filme bem produzido, mas totalmente esquecível. Não há uma única cena memorável ou impactante. Mesmo o lançamento do livro é sem sal. Faltou muito tempero aí.
Production Company
Warner Bros. Discovery,
Ingenious,
Embankment Films,
Beagle Pug Films,
Tempo Productions,
Warner Bros. Pictures,
Ingenious Media,
The Post Republic,
Beaglepug,
Arenamedia,
Frances O'Connor,
Popara Films