SummaryKatia and Maurice Krafft loved two things — each other and volcanoes. For two decades, the daring French volcanologist couple roamed the planet, chasing eruptions and documenting their discoveries. Ultimately, they lost their lives in a 1991 volcanic explosion, leaving a legacy that forever enriched our knowledge of the natural world. [N...
SummaryKatia and Maurice Krafft loved two things — each other and volcanoes. For two decades, the daring French volcanologist couple roamed the planet, chasing eruptions and documenting their discoveries. Ultimately, they lost their lives in a 1991 volcanic explosion, leaving a legacy that forever enriched our knowledge of the natural world. [N...
This is a film that pops on the big screen — no CGI needed here, folks. But the way Dosa shapes the story, emphasizing the couple’s deep love for each other and their unconventional lives, is what makes Fire of Love...one of the most moving and memorable films of 2022.
amazing archive footage, immerses you into the passion and wonder by which Katia and maurice lived by. Remarkable, curious people that represent the better facets of human charater.
A beautiful, sincere telling of a fascinating relationship. Told through archival footages, Sara Dosa shows us volcano imagery, mostly shot by the Kraffts, that is as beautiful as the romance of them.
At an economical 90-minute running time, Fire of Love packs a visual and emotional wallop, with enough close-ups on erupting volcanoes — one, at a point, is called “a bathtub with a hole in it, sowing death all around” — to leave you slack-jawed, terrified, and awe-inspired.
Dosa gives shape to the Kraffts’ relationship, not through traditional talking-head interviews, but rather by allowing audiences in on the couple’s subtle interactions with one another in their footage, allowing the story of their life together to be told predominantly by them.
Dosa uses July’s narration to frame the Kraffts’ story with a playful sense of wonder and whimsy — a sometimes overly intrusive, too neatly packaged device in a film where what’s on screen is so overwhelmingly powerful that it might not need the extra layer.
It may sound like a kind of glamorization of what sure as hell was a tragedy, but I honestly don't think is a big problem in itself since the concept is fascinating.
Two people who loved each other and loved volcanoes had their lives cut short doing what they loved most.
Yes, it was an accident and by no means can the end of their lives be categorized as a romantic story, but they were clearly unconventional and that is what makes their story so powerful.
Excellent documentary.
As imagens são impressionantes!! Esse casal de vulcanólogos de fato teve uma vida digna de ser registrada, e por mais que se dissessem não serem cineastas, eles o foram, esse documentário espetacular está aí para comprovar.
Tudo é muito impresionante por si só, mas a captação e o trabalho de edição que fizeram aqui é digno de muitos aplausos. Eu só senti falta de maiores explanações, infelizmente o documentário foca mais na relação amorosa do que propriamente na ciência, tinha espaço para ser muito mais informativo do que foi.
A great documentary that shows the passion of a pair of vulcanologists for their study object and their love. The footage is amazing, and the two protagonists are very funny and interesting. Hope this gets nominated at the Oscars.
Katia and Maurice Krafft met in 1966. They married in 1971 and spent their entire professional careers getting as close as possible to active volcanoes. In a literal sense, their goal was to live life on the edge. They were killed in 1991 during the eruption of Mt. Unzen in Japan. The Kraffts were credited with differentiating relatively safe red volcanoes (typified by vast lava flows) from the more deadly, unpredictable gray volcanoes (which create clouds of superheated gas, rock and ash that can travel over 400 miles per hour and kill everything in its path – like Pompeii).
Director Sara Dosa (“The Seer and the Unseen”) and her crew have painstakingly reviewed all the available archival photographs and movies made by the Kraffts to stitch together this documentary, which was produced by Nat Geo. Editors Erin Casper and Jocelyne Chaput deserve special mention for their efforts.
While the intentions of the creative team are entirely admirable, the project fails to address most of the issues that could have made this material mesmerizing. For example, we learn early on that Katia, a geochemist, was most interested in taking measurements and chronicling volcanic activity. In contrast, Maurice, a geologist, was known for taking risks and wanting to be as close as possible to the mouth of the volcano. How did the two reconcile these major differences? Did Maurice discuss his plans with Katia before taking risks that could leave his wife a widow?
Several metaphors are assumed here, and assumed to carry along this piece. Most obviously, there is the assumption that this couple was passionate about only two things: their work and each other. However, nothing in the film describes or explains their non-professional relationship. The moviegoer is given no context for understanding their marriage away from work.
There’s also the contradiction of two researchers who say they wish to live a life of the mind, focused on their passion for volcanoes. They seem to revel in spending weeks at a time near an active volcano, living in a tent, with only each other as company. However, the Kraffts are also described as “traveling performer volcanologists.” How did Katia and Maurice reconcile their preference for solitude with the reality that they had to constantly give lectures and appear on television to secure the funding needed to support their work?
The archival footage offers some intimation of mortality. Maurice says, “I prefer an intense and short life to a long monotonous one.” Were the two simply altruists who were willing to risk their lives to gain knowledge about how to protect people from the deadliest of volcanoes? Or were they closet adrenaline junkies who needed to place themselves in life-threatening situations?
This film contains some of the most vivid, up-close images ever taken of volcanic activity. And this film demonstrates that the Kraffts contributed significantly to safety measures that protect people when gray volcanoes are active. But ultimately, “Fire of Love” is a tribute to two trailblazing scientists that leaves its most important questions shrouded in volcanic haze.