Summary:Nancy (Lake Bell), is done with dating. 10 times bitten, 100 times shy, she’s exhausted by the circus. So when Jack (Simon Pegg) blindly mistakes her for his date, no one is more surprised than her when she does the unthinkable and just —- goes with it. It’s going to take a night of pretending to be someone else for Nancy to finally Man UpNancy (Lake Bell), is done with dating. 10 times bitten, 100 times shy, she’s exhausted by the circus. So when Jack (Simon Pegg) blindly mistakes her for his date, no one is more surprised than her when she does the unthinkable and just —- goes with it. It’s going to take a night of pretending to be someone else for Nancy to finally Man Up and be her painfully honest, awesomely unconventional self… but will Jack also Man Up, and be able to get over her duplicity? Best just to let the evening unfold, roll with the consequences, and see if one crazy, unpredictable, complicated night can bring these two messy souls together.…Expand
A well done and consistently funny romantic comedy. The entire cast did a good job in their respective roles and the film was well directed. It is definitely a romantic comedy that I'd recommend.
Probably one of the best romantic comedy out there, it isn't cheesy, the director made a couple of great calls, there are some hilarious moments but the best things about this movie are Simon Pegg and Lake Bell performances.
A romantic comedy with a different approach, she steals someone else's blind date. Sounds like a train wreck of a story line, but this is a movie so of course they hit it off. In a film like this, it's the actors that make it good or not. Lake Bell (with an English accent) and Simon PeggA romantic comedy with a different approach, she steals someone else's blind date. Sounds like a train wreck of a story line, but this is a movie so of course they hit it off. In a film like this, it's the actors that make it good or not. Lake Bell (with an English accent) and Simon Pegg really make the movie. Must be something in the facial expressions, the throw away lines, but they are good separately and together.…Expand
Man Up easily tells you to man up before and after watching this movie. You'll easily be reminded to man up 24/7 after watching this movie and you're going to love it.
Romantic comedies are always the same, predictable, not original and whatever happens they always end up together.And this movie is no exception but, it still manages to be entertaining thanks to Simon Pegg's brilliant performance.
Simon Pegg tries to pivot his comic skills to a romantic angle, as he plays a man on a blind date (with Lake Bell). Turns out she’s the wrong person, but she doesn’t tell him, so they go on to have a fun time. As expected, their initial awkwardness gradually turns into affection. Pegg isSimon Pegg tries to pivot his comic skills to a romantic angle, as he plays a man on a blind date (with Lake Bell). Turns out she’s the wrong person, but she doesn’t tell him, so they go on to have a fun time. As expected, their initial awkwardness gradually turns into affection. Pegg is almost manic trying to ramp up his charm, while staying funny. Bell embodies her self-conscious, unhappy character with easy effort. While there’s nothing especially new here, the zippy pace, silly situations and overall enjoyable performances create a mildly-screwball, somewhat amusing romcom.…Expand
Although Simon Pegg is not credited with any writing on this film, one always expects that his presence will guarantee a hilarious film that is absurdly complicated, intriguing, and great fun to watch. But this time, maybe not so much. Pegg's fast-talking, nervous character, Jack, whoAlthough Simon Pegg is not credited with any writing on this film, one always expects that his presence will guarantee a hilarious film that is absurdly complicated, intriguing, and great fun to watch. But this time, maybe not so much. Pegg's fast-talking, nervous character, Jack, who mistakenly thinks he has just met his perfect match on a blind date set up by a friend, is certainly a tour de force that provides some psychological insight into a motor mouth who is perpetually engaging Freud's free-associative method. However, Jack's emotional journey does not have the expressive intensity or uncanny absurdism to make the film a study in brilliant comedic discourse—not quite achieving that signature blend which can be recognized as pure Peggian.
The chemistry between Nancy (Lake Bell) and Jack is too overstated to be a comedic adventure that is also appealingly intellectual. They both carry around notebooks with mantras (such as "learn French" and "get stronger thighs") and other simple self-help exercises. The constant referencing of these sophomoric notebooks by both characters is a major thread in the plot. To establish that they accidentally fall in love, the film resorts to a montage of images showing the two lovers acting wild and crazy at the bowling lanes, with Nancy often in kneeling positions to show off her derriere as viewed in jeans that are so tight, the seams are surely about to split open. Presumably, this gives Jack more incentive to fall madly in love.
Bell's character is particularly problematic. Nancy is also a jittery talker, but her persona is a bit darker than Jack's, for she is disillusioned and jaded about the state of her love life. She has nearly given up on the singles scene, preferring to avoid a party and stay in her hotel room, eating by herself and watching “The Silence of the Lambs,” which for bizarrely unexplained reasons, she knows by heart. Nancy is an odd admixture, acting like the British answer to a ditzy Annie Hall (Bell is actually American), but without the saving grace of being lighthearted, naive, and charmingly adorable. Instead, Nancy combines Annie Hall with the protagonists usually played by Woody Allen, a disenchanted Sad Sack who feels like an eternal loser at love. She is sardonic, hostile, and withdrawn, but unlike Allen's characters, she is not engaged in a deeper philosophical quest to resolve her sense of alienation. (And an almost incomprehensible dialogue about “The Blow Job Paradox” does not count as a philosophical system.) In the end, her quest is rather basic, if not positively adolescent—she simply needs a boyfriend.
The resolution to the dilemma of the mistaken identity and the resulting bond between Nancy and Jack becomes increasingly predictable and not terribly humorous. As far as Simon Pegg movies go, this one has its moments, but it merely skims the surface of Pegg's prodigious talent.…Expand