Miramax Films | Release Date: November 9, 2007 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
37
Mixed:
2
Negative:
0
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Critic Reviews
Many of the scenes in No Country for Old Men are so flawlessly constructed that you want them to simply continue, and yet they create an emotional suction drawing you to the next scene. Another movie that made me feel that way was "Fargo." To make one such film is a miracle. Here is another.
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An intense, nihilistic thriller as well as a model of implacable storytelling, this is a film you can't stop watching even though you very much wish you could. That's because No Country escorts you through a world so pitilessly bleak, "you put your soul at hazard," as one character says, to be part of it.
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No Country for Old Men is about the kind of amoral madness that can sweep across a country and redefine a landscape. It's so admirably lean and sinewy that it deserves not merely a rave review but a Johnny Cash song about matter-of-fact killings in shady hotels and sun-scoured landscapes.
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Like all of the renowned filmmakers’ best movies, this faithful adaptation of the Cormac McCarthy novel hasn’t aged a bit, its poetry and beauty growing starker, its themes gaining more relevance. An edge-of-your-seat thriller and an elegiac, gut-wrenching meditation on the passing of time and generational devolution, the now-classic feature showcases the brothers’ skills at their most stripped-down and rawest.
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The Coens are back with a vengeance, showing their various imitators and detractors what great American filmmaking looks like, and they have supplied a corrective adjustment to the excesses of goofy-quirky comedy that damaged their recent work. The result is a dark, violent, and deeply disquieting drama, leavened with brilliant noirish wisecracks, and boasting three leading male performances with all the spectacular virility of Texan steers.
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The Coen brothers have never really accepted the idea that a movie has to have a plot. Offbeat characters, sure. Oblique dialogue that sounds meaningful and occasionally is so, absolutely. Eye-catching cinematography and a subtle, mood-reinforcing soundtrack, no question. Irony layered on thickly as cheese in good lasagna, yes. But a narrative that makes sense from end to end? Well, one doesn't have room for everything.
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I appreciate No Country for Old Men for the skill in the film craft. I understand No Country for Old Men for its penetrating disquisition on narrative conventions and its heroic will in subverting them. I admire No Country for Old Men for the way it tightens its grip as it progresses, taking us deeper and deeper into a hellish world. I just don't like it very much.
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