Summary:Henrik is 35, but he still parties with his high-school buddies like he is in his 20s. His mother cares for him like he's still a child, and he's in a relationship that's based on goofing around. Now, his girlfriend Tone is pregnant and Henrik has taken a serious job, moved into a prefab duplex, and he’s trying to calm down the partying andHenrik is 35, but he still parties with his high-school buddies like he is in his 20s. His mother cares for him like he's still a child, and he's in a relationship that's based on goofing around. Now, his girlfriend Tone is pregnant and Henrik has taken a serious job, moved into a prefab duplex, and he’s trying to calm down the partying and start behaving like a father-to-be. But as he feels the pressure to mature, and to do it quickly, Henrik’s frustrations surface in unforeseen—and hilariously inappropriate—ways. [Big World Pictures]…Expand
The Almost Man has a few decent, if excessively juvenile and idiotic, gags, as well as one notably shocking scene in a car. Henrik's complete lack of self-consciousness and willingness to put himself in particularly un-flattering situations is admirable. The film suffers from aThe Almost Man has a few decent, if excessively juvenile and idiotic, gags, as well as one notably shocking scene in a car. Henrik's complete lack of self-consciousness and willingness to put himself in particularly un-flattering situations is admirable. The film suffers from a repetitiveness of the ongoing argument that takes place between Henrik and Tone that begins after the first act and lasts until the last stretch of the film. Yes, Henrik does need to make some changes in his life to appropriately adjust to his new life, but the frustration he feels is quite one-dimensional and it takes away from much of the film's comedic potential. The character arc Henrik goes through is so mundane and predictable. The commentary The Almost Man attempts at relating to adulthood is so well-worn and tried-and-tested that the only thing that could make it feel fresh is the execution, which only turns out solid results intermittently. We do get an excellent comedic lead performance here, one that makes me think of what being would come into existence if Liam Neeson, Chris O' Dowd, and Jason Segel had an illegitimate, imbecilic offspring. The film also has a mercifully swift run time of 73-minutes. Not outstanding, but passable and occasionally laugh-inducing.…Expand