X
- 2006
- Unrated
- New Yorker Films
- 1 h 48 m
- 2006
- Unrated
- New Yorker Films
- 1 h 48 m
Summary A plotless look at life in Sri Lanka.
Directed By: Vimukthi Jayasundara
Written By: Vimukthi Jayasundara
- 2006
- Unrated
- New Yorker Films
- 1 h 48 m
- 2006
- Unrated
- New Yorker Films
- 1 h 48 m
The Forsaken Land
70
User Score
Available after 4 ratings
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Summary A plotless look at life in Sri Lanka.
Directed By: Vimukthi Jayasundara
Written By: Vimukthi Jayasundara
Top Cast
Metascore
Generally Favorable
Based on 6 Critic Reviews
70
83% Positive
5 Reviews
5 Reviews
17% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
Metascore
Generally Favorable
Based on 6 Critic Reviews
70
83% Positive
5 Reviews
5 Reviews
17% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
A stark, lyrical and affecting portrait of war's aftermath.
Sparse of dialogue and plot (think Andrei Tarkovsky), the import - named best first film at Cannes 2005 - has to do with Sri Lanka's unending civil war and it's devastating effect on residents of a barren no man's land.
There's poetry in The Forsaken Land -- not the written kind (there's barely any dialogue) -- but visual poetry replete with still, painterly compositions and finely nuanced lighting.
Beautiful but withholding, The Forsaken Land doesn't offer much in the way of explanation -- the soundtrack features more birdcalls than dialogue -- but the 27-year-old filmmaker's command of film language is evident and his evocation of postwar trauma is haunting.
Mr. Jayasundara studied film in France and has probably watched his share of classic European art cinema. Although his influences may originate closer to home (in interviews he has name dropped the venerated Sri Lankan auteur Lester James Peries), his use of landscape to convey states of mind suggests that he has more than a passing acquaintance with the work of Michelangelo Antonioni.
Jayasundara dispenses with conventional story pacing to alternate long, static scenes with moments of revelatory lust or violence; as a press release states, the movie is "composed of uncanny set pieces portraying sex, death, and waiting," though its aesthetic achievement may lie in making all three feel like the same thing.
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Production Company
Arte France Cinéma,
Digimage,
Film Council Productions,
Fonds Sud Cinéma,
Hubert Bals Fund,
Le Fresnoy Studio National des Arts Contemporains,
Les Films Hatari,
Les Films de L'Etranger,
Les Filmsoir,
Onoma,
Poly-Son,
Unlimited
Release Date Jun 22, 2006
Duration 1 h 48 m
Rating Unrated
Genres
Awards
Cannes Film Festival
• 1 Win & 2 Nominations
Cinefan - Festival of Asian and Arab Cinema
• 1 Win & 1 Nomination
Rotterdam International Film Festival
• 1 Win & 1 Nomination