| Paramount Pictures | Release Date: December 25, 2013 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
35
Mixed:
10
Negative:
2
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Critic Reviews
Dec 24, 2013
If it had been a drama, The Wolf of Wall Street might have been unwatchable: There’s simply too much of everything. But Scorsese and screenwriter Terence Winter (The Sopranos, Boardwalk Empire) hit on the genius idea to turn the story into a riotous comedy, one that keeps topping itself everytime you think it can’t possibly get crazier.
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Dec 23, 2013
Time Out LondonDec 17, 2013
Scorsese never digs too deeply under the skin of these reprehensible playboy douchebags, and there are times where the swooping photography, smash-and-grab editing and toe-tapping soundtrack conspire to almost – almost – make us like them. But when the film’s cylinders are firing, it’s impossible not to be dragged along.
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The GuardianDec 17, 2013
The Wolf of Wall Street, for all its abundant appeal, is no Greek tragedy. It lacks the wildness of Taxi Driver, the jeopardy of GoodFellas and the anguish of Raging Bull. Far better to view this as a stylistic homage, a remastered greatest hits compilation, an amiable bit of self-infringement.
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Dec 17, 2013
Nearly as extravagant as the characters it depicts, Martin Scorsese's comic, operatically-scaled film is, on a moment-by-moment basis, often madly entertaining due to its live-wire energy, exuberant performances and the irresistible appeal of watching naughty boys doing very naughty things.
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Dec 24, 2013
The movie's benumbed by its own parade of bad behavior. Like some of Scorsese's other second-tier works — "Casino," "Bringing Out the Dead" — the gulf between virtuoso technical facility and impoverished material cannot be bridged. It's diverting, sort of, to see DiCaprio doing lines off a stripper's posterior, but after the 90th time it's like, enough already with heinous capitalistic extremes.
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Dec 18, 2013
The Wolf of Wall Street is a fake. It’s meant to be an exposé of disgusting, immoral, corrupt, obscene behavior, but it’s made in such an exultant style that it becomes an example of disgusting, obscene filmmaking. It’s actually a little monotonous; spectacular, and energetic beyond belief, but monotonous in the way that all burlesques become monotonous after a while.
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Dec 19, 2013
There are hints of greatness, one or two artfully constructed scenes that remind you why you look forward to new Scorsese films in the first place. But as a highly detailed portrait of true-life corruption and bad behavior in the financial sector, Wolf is pushy and hollow, too much of a bad thing.
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Dec 17, 2013
If you’re going to invest three hours watching a movie about a convicted stock swindler, it needs to be a whole lot more compelling than Martin Scorsese’s handsome, sporadically amusing and admittedly never boring — but also bloated, redundant, vulgar, shapeless and pointless — Wolf of Wall Street.
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Dec 24, 2013
Here’s something I never expected to say, something I doubt I’d have believed if someone else had said it to me: Martin Scorsese can make a three-hour movie without one fresh perspective or compelling character from end to end. The proof, for three agonizing hours, can be found in The Wolf of Wall Street.
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