SummaryJaakko and Sirpa have never met face to face but used to talk on the phone every day. When he heard about her declining health, he decides to go meet her in another city ,and when he saw he was blind and paralyzed from the chest down.
SummaryJaakko and Sirpa have never met face to face but used to talk on the phone every day. When he heard about her declining health, he decides to go meet her in another city ,and when he saw he was blind and paralyzed from the chest down.
The Blind Man Who Did Not Want to See Titanic is unlike any rom-com ever made, being blessedly free from formula, devoid of meet-cute dynamics, and disarmingly tragic in its set-up. That being said, it is also the most inspired and inspiring piece of bittersweet comedy romance ever made, defined by unwavering optimism and unrivaled hope in the face of God-given adversity.
Centering the character’s experience is pivotal to making the movie so effective, but when it deviates from those visual guidelines, it feels like it loses a touch of its power. As a trained actor with a camera on him throughout the entirety of the film, Poikolainen shoulders the task with a stoic grace and a sardonic wit.
The end result triggers a wave of empathy; not a kind of patronizing empathy, but genuine empathy — the type Ebert was talking about all those years ago. I doubt you've seen anything like The Blind Man Who Did Not Want To See Titanic before, and you might never see anything like it again. Certainly not from Hollywood.
The Blind Man Who Did Not Want to See Titanic brings up the continued need for disabled directors and screenwriters. There’s certainly enough charm to spare from the film’s leads, but the storytelling too often relies on disabled people in peril and other tropes that simply regurgitate what we’ve seen.
The camera stays close to Jaakko, always at his eye level, blurring everything around him. But the script struggles to channel the character’s wonderfully playful, acerbic spirit.