X
- HBO Max
- Nov 30, 2021
- HBO Max
- Nov 30, 2021
Summary Alma (Rosario Dawson) searches for son in the near future where a second civil war has caused Manhattan to become a demilitarized zone in The limited series based on the comic series of the same name and executive produced by Ava DuVernay and Roberto Patino.
- HBO Max
- Nov 30, 2021
- HBO Max
- Nov 30, 2021
Summary Alma (Rosario Dawson) searches for son in the near future where a second civil war has caused Manhattan to become a demilitarized zone in The limited series based on the comic series of the same name and executive produced by Ava DuVernay and Roberto Patino.
Where to Watch
Season Episodes
View All Seasons
Top Cast
Metascore
Mixed or Average
Based on 11 Critic Reviews
57
45% Positive
5 Reviews
5 Reviews
55% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Mixed or Average
Based on 11 Critic Reviews
57
45% Positive
5 Reviews
5 Reviews
55% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
The most frustrating aspect of DMZ is that by the end of these four episodes, it does land on something resembling a complete ending — but it's also made the case for itself as an ongoing series.
“DMZ” has a striking visual tone, from the dystopian landscapes of burnt-out Manhattan to the color-coordinated interiors that pop with bright shades of blues and oranges and reds. ... Alma rises to a position of prominence in such fast fashion you’ll almost wonder if you skipped an episode, and for all the big-picture stuff taking place inside and outside the DMZ, the confrontations are often intense but pretty small scale.
Dawson offers a through-line to this story that can be a little emotionally broad or not as impactful as its main drama. Alma’s spirit may be one of the many sentimental symbols in this saga, but like the best parts of “DMZ,” it still hits home.
The actors stretch mightily in their performances to sell the many plot holes that "DMZ" requires us to ignore as we travel with Alma. Other details, including a ticking-down clock in the first episode, have no real purpose at all. Whether the poignant performances and rousing visuals are enough to carry viewers through its inconsistent flow is as tough to say.
It’s a political drama that’s studiedly nonpartisan. Whether that makes the show universal, or too cautious to risk possible future seasons, depends on which side you’re coming from.
A series built around a US civil war is bound to get attention, especially in these polarized times. But "DMZ" merely uses that backdrop as a device to introduce another dystopian drama based on a DC graphic novel, basically "The Walking Dead" meets the '70s artifact "The Warriors." The result is an uninvolving miniseries that, at four parts, feels either too long or not nearly long enough.
Dickerson orchestrates the series’ only memorable action set piece in the third episode, only to follow that up with a “finale” that’s a mixture of artificial conclusions and hopeful set-ups for future adventures in case audiences flock to this series. It’s easy to see how these four episodes might evoke enough curiosity to get viewers in the door, but harder to see how DMZ will keep them watching.
User Score
Mixed or Average
Based on 4 User Ratings
4.3
25% Positive
1 Rating
1 Rating
25% Mixed
1 Rating
1 Rating
50% Negative
2 Ratings
2 Ratings
User Score
Mixed or Average
Based on 4 User Ratings
4.3
25% Positive
1 Rating
1 Rating
25% Mixed
1 Rating
1 Rating
50% Negative
2 Ratings
2 Ratings
There are no user reviews yet. Be the first to add a review.
