Generally favorable reviews - based on 111 Critic Reviews

Critic score distribution:
  1. Positive: 86 out of 111
  2. Negative: 3 out of 111
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  1. Nov 15, 2019
    There's no reward for pushing through the tedium, and one's free time would be better spent with most any other game. That being said, Death Stranding's social systems really are brilliant, and hopefully we can see the concept expanded on in future games.
  2. Nov 6, 2019
    Kojima's first post-Konami project is a bizarre, self-indulgent mess that never quite manages to tie its myriad pieces together.
  3. Nov 1, 2019
    Death Stranding is an irredeemable piece of garbage that should serve as a warning to publishers who give developers carte blanche to create ‘art’.
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  1. Nov 1, 2019
    Try it if you want all the Metal Gear ridiculousness and overwrought drama with none of the stealth-action thrills.
  2. Nov 11, 2019
    I am so glad Death Stranding exists. It’s serenely beautiful and conceptually fascinating, while also being frequently tedious and at worst, completely laborious...An experience of visual wonder and quite incredible ideas; an impossible elevator pitch, somehow brought to fruition; something that you have to experience for yourself, just to see if you like it. All brought down by the underpinnings of a game isn’t refined enough in its core mechanics or coherent enough in its narrative delivery to justify the hubristic run-time.
  3. Nov 1, 2019
    Hideo Kojma's first post-Metal Gear game is a messy, indulgent vanity project - but also a true original. [Eurogamer Recommended]
  4. Nov 1, 2019
    Every inch of Death Stranding teems with meaning or implication. Even the stupidest and most pretentious developments build to create a multi-layered game, one with numerous potential points of attack to analyze. It is a story about fatherhood. It is a broad dig at the gig economy. It is deeply concerned with upcoming environmental disaster and American politics, old and new.
  5. Nov 1, 2019
    Death Stranding builds a complex and surreal world, and it's hard not to marvel at the way it all comes together.
  6. Nov 1, 2019
    Death Stranding feels like two games in one, designed for seemingly opposite audiences. One is a wholly unique open-world adventure with asynchronous cooperative multiplayer that allows me to feel like I’m part of a community, building a world from scratch. And the other is a long, confusing, deeply strange movie. The former is pulling most of the weight, but they share equal screen time. And, like a steamer trunk full of sperm, it’s impossible to separate the good from the bad. It’s all in the same box.
  7. Nov 1, 2019
    Death Stranding is a game that demands to be argued over and analyzed for years. It starts rough, and then gets better and better as it goes along, culminating in an ending that is both hugely important to its universe, and also very small and personal to Sam. It has big ideas for things it wants to say, and then it layers them in with heavy-handed messages about togetherness and bonding with your fellow man.
  8. Nov 11, 2019
    It's wonderful that Hideo Kojima gets to do whatever he wants to do. It's equally wonderful that I can do whatever I want to do, and what I did was stop playing his game...Death Stranding is a hassle. A slow, monotonous, fiddly, irritating hassle. It's pure indulgence, every whimsical fancy that crossed the studio's minds has been tossed in without regard for the player's time or the gameplay experience.
  9. Nov 1, 2019
    To fully embrace Death Stranding, you have to let go of that desire to know everything. Much like watching Lost or playing pretty much any JRPG, the overall narrative is just a means to an end. It’s a setup for creating dramatic, emotional moments. It’s not always easy to get to those moments, and you’ll have to suspend your disbelief quite often to fully enjoy them, but for a certain kind of player, that long, exhausting journey will be worth the effort.
  10. Nov 8, 2019
    I’ve never played anything like Death Stranding, and I doubt I ever will again. That alone is worth the $60 price tag.
  11. Nov 1, 2019
    A thoughtful and gorgeous game of work and exploration, held back by lackluster action sequences.
User Score

Mixed or average reviews- based on 18201 Ratings

User score distribution:
  1. Nov 9, 2019
    Definitely a waste of $. Good graphics and odd cinematic, but everything else is boring and stupidly over complex. You'll spend more timeDefinitely a waste of $. Good graphics and odd cinematic, but everything else is boring and stupidly over complex. You'll spend more time managing inventory and traversing overly detailed, poorly explained menus than you will actually doing something other than hold R2 or L2 to walk. The idea of different terrain aspects impeding your traversal is interesting, but Kojima doesn't do anything else with it other than make playing the game frustrating. So much with potential, yet the worse possible execution. This game seems more like a money grab so he can start his career making cheesy movies.

    The scenery is essentially 1 color pallet per region of the same things; funky terrain in green, magenta, grey, or white. I never knew the US had so many mountains... Many of the predetermined animations for movements locks your character into a path even when you try to change directions. This leads to janky movements, odd traversal, and stupid collisions that could have been easily avoided. The world is really empty, beyond the idea of feeling alone. You never run into other couriers, even though they say they're out there. There's a deer in the opening cutscene, but there are literally no animals in the game. There was more to the world in MGSV than there is here!

    In terms of NPCs, there are "characters" in the game that you'll experience through cutscenes, but there's no one to actually interact with beyond holograms of people holed up in a random bunker. the game tries to convey a sense of being alone, but you're constantly interrupted by everyone chiming in. I guess it was too hard to animate actual interactions with NPCs. If it weren't for the few predetermined cutscene/encounters, all of the enemies could be easily avoided and overcome. The enemy AI is near non-existent, even on hard. Pretty much the entirety of quests are all the same overall; be a delivery man. Yes, there are some unique "challenges", such as not getting an item wet, or keeping it "flat". However, it's still the same crap over and over again. Very little variation, which is disappointing and adds to the tedium. Don't expect any unique quests or side storylines.

    Overall, the game get kudos for its rendering of mossy rocks and always shiny looking skin. The story is just so cheesy, and not in an artistic way. If this game didn't have the Kojima name behind it or essentially a Sony console exclusive, it wouldn't have gotten any attention. The hype was fake with this one! Keep your money and buy a game from developers that actually care about their customers.
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  2. Nov 8, 2019
    Is a very monotonous game, it has great music and world detail, but no more. The story is compelling but not enough to compensate for theIs a very monotonous game, it has great music and world detail, but no more. The story is compelling but not enough to compensate for the immense boredom. Full Review »
  3. Nov 9, 2019
    The trailers for this game sold me the idea of something awesome, like a spiritual succesor to Metal Gear....
    12 hours on this "game"... and
    The trailers for this game sold me the idea of something awesome, like a spiritual succesor to Metal Gear....
    12 hours on this "game"... and is all about walking and delivering all those packages...
    Clumsy mechanics... same repetitive action... fights or action sequences are extremely infrequent... It doesn't give me any excitement to keep playing. The graphics are nice, and the story seems interesting at best... but that's as far as good things go.
    For me is a total waste of money that I could have saved for some better game.
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