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Goodfellas

Warner Bros. Pictures | Release Date: September 1, 1990

CRITIC SCORE DISTRIBUTION

89	METASCORE Universal acclaim based on 18 Critics

Positive:

Mixed:

Negative:

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Critic Reviews

Critic score Publication By date

100

Chicago TribuneGene Siskel

All of the performances are first-rate; Pesci stands out, though, with his seemingly unscripted manner. GoodFellas is easily one of the year's best films. [21 September 1990, Friday, p.C]

100

Mr. ShowbizCarmel Dagan

Director Martin Scorsese's spectacular, irreverent picture.

100

Christian Science MonitorDavid Sterritt

Stunningly acted. [21 September 1990, The Arts, p.12]

100

Roger Ebert

No finer film has ever been made about organized crime - not even "The Godfather." Read full review

100

San Francisco ChronicleMick LaSalle

Ferocious brutality is presented without commentary or judgment, yet with unmistakable moral understanding and vision. [21 September 1990, Daily Notebook p.E-1]

100

USA TodayMike Clark

Great cinema - and also a whopping good time. [19 September 1990, Life, p.1D]

100

The Globe and Mail (Toronto)Jay Scott

No so-called serious gangster film has ever been more fun, or less dangerous, or more intrinsically feminist, than GoodFellas. Even "I Married the Mob" was scarier. Read full review

100

ReelViewsJames Berardinelli

With patience, care, and strict attention to detail, Scorsese has staked out an impregnable position in the history of motion pictures. Read full review

100

Richard Corliss

So it is Scorsese's triumph that GoodFellas offers the fastest, sharpest 2 1/2-hr. ride in recent film history. [Sept 24, 1990]

100

Los Angeles TimesSheila Benson

GoodFellas is "Raging Bull" squared. [20 September 1990, Calendar, p.F-1]

Desson Thomson

One of Martin Scorsese's most brutal but stunning movies, an incredible, relentless experience about the singleminded pursuit of crime. Read full review

Film.comJohn Hartl

An appalling masterpiece.

Rolling StoneJeremy Beday

Martin Scorsese scores again with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling "Wiseguy." Read full review

TV Guide MagazineStaff (not credited)

Scorsese's rich tapestry is both broader in scope and more detailed than a mere recounting of the events in the trio's life of crime. Read full review

Chicago ReaderJonathan Rosenbaum

Stylistically, it's a remarkable effort -- with a continuous sense of gliding motion -- and the film is entertaining and gripping throughout. Read full review

VarietyStaff (Not credited)

Simultaneously fascinating and repellent, Goodfellas is Martin Scorsese's colorful but dramatically unsatisfying inside look at Mafia life in 1955-1980 New York City. Read full review

The New YorkerPauline Kael

Is it a great movie? I don't think so. But it's a triumphant piece of filmmaking -- journalism presented with the brio of drama. [24 Sept 1990]

The New RepublicStanley Kauffmann

Scorsese's style, fierce as it is, doesn't accomplish what he clearly expected of it. Often, in many arts, fresh treatment can redeem familiar subjects, but it doesn't happen here. [Oct 22, 1990]