Contreras’ film uniquely honors the memories and experience embodied in our elders — which it is our responsibility to preserve, and their prerogative to take to their graves, if they so desire.
Much of the movie’s success stems from Contreras, his regular cinematographer Tonatiuh Martínez and the rest of the technical team’s handling of its spiritual musings, with a beguiling mood as crucial as the underlying backstory.
This tale of a young linguist seeking to keep a dying language alive is thought-provoking, visually compelling, and hopefully will help to raise awareness about this indirect form of cultural destruction. But its themes are subordinated to surprisingly bland treatment
The story is not without interest, and it touches on a couple of worthwhile themes: cultural erasure and the way religious and provincial prejudices can suppress love. But its treatment of these subjects is perhaps undercut by its conventionality.
Production Company
Revolver Amsterdam,
Agencia SHA,
Alebrije Cine y Video,
Cinema Maquina,
EFD,
Eficine,
Estudios Churubusco Azteca S.A.,
Fondo para la Producción Cinematográfica de Calidad (FOPROCINE),
Sam Spiegel International Film Lab