X
- 1940
- Approved
- Paramount Pictures
- 1 h 34 m
- 1940
- Approved
- Paramount Pictures
- 1 h 34 m
Summary A shoplifter and her prosecutor fall in love, creating tensions for his career and family.
Directed By: Mitchell Leisen
Written By: Preston Sturges
- 1940
- Approved
- Paramount Pictures
- 1 h 34 m
- 1940
- Approved
- Paramount Pictures
- 1 h 34 m
Remember the Night
78
User Score
Available after 4 ratings
tbd
Summary A shoplifter and her prosecutor fall in love, creating tensions for his career and family.
Directed By: Mitchell Leisen
Written By: Preston Sturges
Top Cast
Metascore
Generally Favorable
Based on 11 Critic Reviews
78
100% Positive
11 Reviews
11 Reviews
0% Mixed
0 Reviews
0 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Generally Favorable
Based on 11 Critic Reviews
78
100% Positive
11 Reviews
11 Reviews
0% Mixed
0 Reviews
0 Reviews
0% Negative
0 Reviews
0 Reviews
In its way, Remember the Night is as full of the improbabilities of any of the more familiar Christmas movies that we ritually rewatch in this season every year. But it's also no less lacking in the affirmation it makes of the power of love, its ability to melt even the coldest of hearts, to transform our feelings for our fellow man and woman. If that's a feeling you treasure in your holiday viewing, remember the film.
Stanwyck deftly handles the film’s mix of pathos, comedy and romance. Remember the Night also demonstrates how capable MacMurray could be as leading man.
Playing superbly on the personae of his leads, Leisen creates a movie of warmth and immense style, which never quite trips over into excessive sentimentality.
It's one of those rare holiday films that's able to mix comedy with sentiment without being either unduly manic or unbearably sentimental. As such, it deserves to be better known and more frequently aired. [22 Dec 2016, p.5D]
Written by Preston Sturges and directed by the great Mitchell Leisen, it's both sexy and touching. [19 Dec 2007, p.F6]
You'd have to be a grump not to like this funny, sentimental blend of pathos, drama and zaniness.
Picture is highlighted in numerous instances by some deft telling in the script and fine piloting by director Mitchell Leisen to lift the yarn from commonplace and trite category. Stanwyck turns in a fine performance. MacMurray is impressive as the serious-minded prosecutor, but loosens up for the comedy stretches.
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