SummaryCole (Judah Lewis) is madly in love with his babysitter (Samara Weaving) Bee. She's hot, funny, and popular. One night, in a moment of defiance, Cole secretly stays up his bedtime to discover she's actually a cold-blooded killer who's in league with the Devil. He now must spend his night evading Bee's band of killers who will stop at not...
SummaryCole (Judah Lewis) is madly in love with his babysitter (Samara Weaving) Bee. She's hot, funny, and popular. One night, in a moment of defiance, Cole secretly stays up his bedtime to discover she's actually a cold-blooded killer who's in league with the Devil. He now must spend his night evading Bee's band of killers who will stop at not...
The Babysitter had potential but director McG treats this material like it’s one of the lamer American Pie sequels. The broadness of the humor detracts from the characters and the story and the horror, instead of complementing them.
Cole (Judah Lewis) is your typical twelve year old. On the cusp of becoming a teenager he's dealing with all your typical coming of age problems. From dealing with his awkward Gen-X parents (Leslie Bibb & Ken Marino) failing marriage to bullies (Miles J. Harvey) that follows him home from school. He'll learn to manage his budding feelings for his classmates (Emily Alyn Lind) and his babysitter (Samara Weaving). All while surviving an assault from a Satanic Murder Cult (Robbie Amell, Hanna Mae Lee, Bella Thorne & Andrew Bachelor). The Babysitter is a 2017 Netflix horror film from director McG (Terminator Salvation, Charlies Angels). Famous for some of the best music videos of the 90's; this is the first feature from McG I've actually enjoyed. It's schlock without being schlocky. It's a perfect grindhouse-esque B-movie elevated to perfection. The plot is tight, gruesome, and funny with a nice runtime of an hour twenty-five. The story has tons of set-up and payoffs with enough twists to keep you engaged. Its special effects are mostly practical, beautiful and only once did an effect stick out as fake. There are tons of great uses of slow-mo to show a deeper relationship between characters. Text abruptly pops up on screen in a funny stylistic fashion. The staging of every scene is set up with care which makes me think the films storyboarding must have been incredible. Not only is the technical direction of The Babysitter perfect; the cast is fantastic as well. Judah Lewis excels as a confused preteen trying to figure out who he is. He has a real emotional journey over the course of the film that is always grounded and real. Meanwhile Samara Weaving is devastating in her role as Bee the Babysitter. A perfect blend of charming and predatory, she'll leave you guessing Bee's true intentions long after the movie ends. Her band of merry murders are also entertaining. With a stand out performance from Robbie Amell who plays a psycho-killer more charming and fun than Ted Bundy.
I'm actually disappointed it's taken me three years and a global pandemic to sit down and watch the Babysitter. It's been on my radar since its release in October 2017. Now it's one of my favourite horror movies. With the Babysitter 2 is post-production at the time of writing this, I hope we'll see a release in October 2020. For those reasons I'm giving the Babysitter a grade of perfect 10.
This is like an edgy Nickelodeon original movie.
What kind of name is McG?
Bella Thorne and Andrew Bachelor should seriously stop starring in movies, because both of them can't act at all.
Samara Weaving is the only saving grace in this. She's trying really hard to work with the terrible writing.
There were a few moments that made me chuckle but for the most part, This film simply couldn't decide if it was gonna be a comedy or a meta-horror movie. The cast does a decent enough job carrying the film but that only goes so far IMO.