A24 | Release Date: September 27, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
3
Negative:
2
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Critic Reviews
IndieWireFeb 1, 2019
"Dick Long,” which stems from Billy Chew’s script, lacks the same abstract weirdness that made “Swiss Army Man” such an indelible cinematic delight. It has more intimate aims — humanizing a couple of brutish morons by mining substance from the silliness, and arriving at the conclusion that crass white-trash stereotypes have feelings, too.
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Yet it's really as a director of actors that he's a revelation. Abbott never lets the audience walk away because they have already spent so much time – if not liking him, at least understanding him. We're right there with his wife, Lydia (Newcomb, extraordinary in what could have been a cipher of a role), when her world starts to fall apart. Dumb and evil may be different, Dick Long says, but it doesn't make the damage hurt any less.
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Billy Chew’s screenplay takes at least one important lesson from the best of both crime movies and small-town portraits: The characters, however minor or ridiculous, seem to lead lives that started well before the movie and will continue long after. Well, except for Dick himself. He’s gone.
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What it lacks in textual depth, it makes up for with the genuine sympathy it evinces for characters that most films would dismiss as stupid, depraved and undeserving of our empathy and concern. Like Freud, Scheinert seems to understand that even people who commit unspeakable acts deserve our understanding.
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