The Sea isn't just brooding Scandinavian domestic tragedy, a lesser Bergman-Ibsen pastiche. It's also hilarious and rowdy, and it plays with our sympathies and expectations in such surprising ways, with such brilliant actors, it's easy to see why it won the equivalent of eight Icelandic Oscars.
An exploration of the way the sins of the father trickle down to his offspring, is dense with quirky characters and subplots all woven into a rather heavy-handed meditation on the evils of globalization.
Undone by its own malignant contempt for every one of its characters, except a pathologically candid grandmother who single-handedly kept my chin from dropping to my ankles. Even Bergman would be scrambling for his Prozac.
The camera goes limp during the climactic emotional blowout--unimaginative and static compositions leave the characters yelling at each other in a vacuum.