X
- 1976
- R
- Cine Artists Pictures
- 1 h 33 m
- 1976
- R
- Cine Artists Pictures
- 1 h 33 m
Summary An American occult novelist battles to save the soul of a young girl from a group of Satanists, led by an excommunicated priest, who plan on using her as the representative of the Devil on Earth.
Directed By: Peter Sykes, Don Sharp
- 1976
- R
- Cine Artists Pictures
- 1 h 33 m
- 1976
- R
- Cine Artists Pictures
- 1 h 33 m
To the Devil a Daughter
39
User Score
Available after 4 ratings
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Where to Watch
Summary An American occult novelist battles to save the soul of a young girl from a group of Satanists, led by an excommunicated priest, who plan on using her as the representative of the Devil on Earth.
Directed By: Peter Sykes, Don Sharp
Where to Watch
Top Cast
Metascore
Generally Unfavorable
Based on 5 Critic Reviews
39
0% Positive
0 Reviews
0 Reviews
80% Mixed
4 Reviews
4 Reviews
20% Negative
1 Review
1 Review
Metascore
Generally Unfavorable
Based on 5 Critic Reviews
39
0% Positive
0 Reviews
0 Reviews
80% Mixed
4 Reviews
4 Reviews
20% Negative
1 Review
1 Review
Far from the Rosemary's Baby it wished to be, but nonetheless unsettling at least up to the point that we see the devil's glove-puppet itself. [27 Jun 1999, p.10]
Beautifully photographed in locations from Bavaria to London to the English countryside, and including some excellent special effects from Les Bowie, TO THE DEVIL A DAUGHTER deteriorates a bit in its relatively ludicrous ending. The film does, however, boast some truly frightening images of black magic rituals, a gruesome birth scene, and a very immodest Kinski.
The film's unlikely trump card is Richard Widmark as a credibly sceptical supernatural investigator, who romps through the proceedings with a disarming stoicism, but regrettably faces his devilish opponent Lee only in the closing sequence. It's a good deal more interesting than the rest of the possession cycle, but still a disappointment.
Based on a novel by English author Dennis Wheatley, the picture makes a few too many pretensions to serious exploration of the occult, that hamper the flow.
The screenplay has so many characters, and they're in so many different places, that the only way to keep them halfway straight is for them to be calling each other all the time. There are even several scenes in which the phone rings and no one's at home. No one of this Earth, anyway.
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