Walt Disney Studios Motion Pictures | Release Date: June 21, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
56
Mixed:
1
Negative:
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Critic Reviews
A diverting, visually dazzling concoction of wily schemes and daring adventures, Toy Story 4 achieves that something that eludes most sequels, especially this far into a series: a near-perfect balance between familiarity and novelty, action and emotion, and joyful hellos and more bittersweet goodbyes.
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The fourth entry is a worthy addition to the Toy Story library, bringing back some of the most beloved characters in the history of animated film and introducing us to a fantastically entertaining new bunch of toys — some of them adorable and huggable, some of them more reminiscent of a certain type of creepy, old-school doll usually seen in R-rated horror films.
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The focus on Woody means that Toy Story 4 is less of a metaphor about the things we leave behind as we leave childhood, which means emotionally it's the lightest of the series. That may mean fewer hankies for those of us sitting together in the dark falling in love all over again with a box of animated toys. But the sweetness persists.
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It bounces along at such an antic pace that its 100 minutes feel like far fewer. But there’s a quiet contemplativeness at the movie’s heart, exemplified by a long scene in which Woody and Forky make their way along the shoulder of a highway, plastic hand in pipe-cleaner hand, discussing the meaning of life as a plaything.
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The film never quite lets us know what to feel. It’s an unnerving little movie, one that at any given moment might deliver a burst of feeling, or a big laugh, or a jump scare. It whipsaws you this way and that, and this sense of disorientation is new for a company whose work usually feels so carefully calibrated, so perfectly put-together.
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I’m all for the studio exploring new concepts and original characters going forward, and setting aside the endless anthologizing of its biggest hits for a good long while. But if I had to get another Toy Story, this is about as strange and beguiling an entry as I could have hoped for.
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You know the formula and frankly, it’s one of the best-working ones Hollywood still has: a fun-for-the-whole-family film. In a current market crowded with franchises and pricey theatrics, Toy Story 4 feels like a warm and welcome aside, spinning an epic yarn from an intimate vantage with all the amenities of Pixar’s supremely talented creators and animators.
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IndieWireJun 13, 2019
To talk about Toy Story 4 is to talk about Forky. This is a movie that doesn’t initially appear to have any compelling reason to exist — the forced but satisfying third installment of Pixar’s signature franchise seemed to wrap things up when it came out almost a full decade ago — and yet Forky alone is enough to elevate this potential cash-grab into the beautiful and hilarious coda that its long-running series needed to be truly complete. Forky is the hero we need in 2019.
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Occasionally too busy and loose with its logical rigor, Toy Story 4 doesn’t quite connect all the dots. Still, the film earns a distinct spot in the chain, foregrounding Bob Pauley’s pristinely lit production design, one that showcases a kaleidoscopic carnival and a dusty antique shop swarming with hilariously nightmarish ventriloquist dummies.
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The animation is also top-notch: Bo has a bunch of dazzling scenes as a porcelain warrior, and human characters look better than ever. With the emphasis on Woody’s tale, Buzz and the other returning toys spend much of the movie as side characters, but it turns into a true romp when everyone's plots coincide.
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Movie NationJun 13, 2019
It’s easily the weakest of the four iterations of that title. If Disney and Pixar really needed to revisit a tale that they had gracefully ended, it should have been more of a victory lap. This, whatever its modest charms, has the feel of an end zone dance — crass, unnecessary, and a slightly pale reflection of the glories that warranted it.
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Does it tug the heartstrings? Absolutely. Is it funny? The funniest of the quartet, in fact thanks to a weird new character. But Pixar, like its former funder Apple, has conditioned audiences to expect more than a nice little movie. We want to be amazed — not subscribe to Apple TV+.
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