X
- 1996
- R
- Warner Bros.
- 1 h 36 m
- 1996
- R
- Warner Bros.
- 1 h 36 m
Summary A couple steals a Matisse painting on contract. They manage to escape the police. The sale takes place 4 days later on an island. Things don't go as planned.
Directed By: Bill Bennett
Written By: Denis Leary, Mike Armstrong, Ann Leary
- 1996
- R
- Warner Bros.
- 1 h 36 m
- 1996
- R
- Warner Bros.
- 1 h 36 m
Two If by Sea
30
User Score
Available after 4 ratings
tbd
Where to Watch
Summary A couple steals a Matisse painting on contract. They manage to escape the police. The sale takes place 4 days later on an island. Things don't go as planned.
Directed By: Bill Bennett
Written By: Denis Leary, Mike Armstrong, Ann Leary
Where to Watch
Top Cast
Metascore
Generally Unfavorable
Based on 15 Critic Reviews
30
7% Positive
1 Review
1 Review
40% Mixed
6 Reviews
6 Reviews
53% Negative
8 Reviews
8 Reviews
Metascore
Generally Unfavorable
Based on 15 Critic Reviews
30
7% Positive
1 Review
1 Review
40% Mixed
6 Reviews
6 Reviews
53% Negative
8 Reviews
8 Reviews
The "Be Kind, Rewind" stickers on patrol car bumper stickers may well address the quick fate of "Two If by Sea," but there will be a lot worse comedies on the rack with greater reputations when that happens. [15 Jan 1996, p.31]
Though the slow, obvious "Two If By Sea" probably won't do much to advance Bullock's standing as America's current sweetheart, it shouldn't do irreparable damage to it, either. [13 Jan 1996, p.21]
The odd couple here is just as charmless, and their adventures are equally unfunny. When the filmmakers try to get sentimental about the relationship, you'll either be rolling your eyes or thinking about heading for the exit.
The saddest element of Two if by Sea is watching Bullock get dragged down in the drivel.
Not bad in the aggressive, ambitious, over-the-top way that “Showgirls” epitomized. “Two If by Sea” is more like a zero, an inert lump of a movie with so little going on that fidgety viewers can sneak out for a hot dog or some popcorn and return without fear of having missed anything significant.
If you had never encountered Bullock’s patented brand of appealingly unglamorous, warm-eyed gal before this dispiriting production, you might think the star of Speed and The Net was nothing more than a Marisa Tomei knockoff.
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