Baltimore Sun's Scores

For 199 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average TV Show review score: 67
Highest review score: 100 Ed: Season 1
Lowest review score: 0 Do Not Disturb: Season 1
Score distribution:
  1. Mixed: 0 out of 130
  2. Negative: 0 out of 130
130 tv reviews
  1. If you like that kind of Elmore-Leonard-wannabe dialogue, you'll probably like McBride a lot. [31 Jan 1995]
    • Baltimore Sun
  2. Tonight's two-hour movie pilot has major problems in trying to pull off the tricky business of combining drama and elements of high comedy within the fairly rigid conventions of the TV detective drama. But the writing by Andy Breckman (Rat Race) and the performance of veteran character actor Tony Shalhoub (The Man Who Wasn't There) combine to deliver one of the most weirdly appealing television sleuths since Richard Belzer's Detective John Munch of Homicide: Life on the Street. [12 July 2012, p.1E]
    • Baltimore Sun
  3. But Joan of Arcadia has one other thing none of these had - a hard edge and a savvy sense of humor that keeps the drama from ever feeling saccharine or sappy. [26 Sept 2003, p.1E]
    • Baltimore Sun
  4. Desperate Housewives' style and dark, comic tone owe much to such groundbreaking cable productions as HBO's Six Feet Under. And, while the writing is no match for that of Alan Ball... several fine performances by an outstanding ensemble cast make Desperate Housewives one of the more wickedly entertaining network pilots of the fall. [3 Oct 2004]
    • Baltimore Sun
  5. Stiller may not be enough to save this pack of wrongheaded cliches, but it will be fun watching him try. [21 Sept 1998, p.1E]
    • Baltimore Sun
  6. In all but one or two cases, if I were seated with one of these people on a plane, I'd ask to be moved next to a crying baby or a drunk. What CBS has done here is cast this house with people who resemble the stock types we have come to know from prime-time sitcoms and dramas for 50 years. [6 Jul 2000]
    • Baltimore Sun
  7. Offers a smart, sensitive and funny look at the first year of college life. [25 Sept 2001, p.3E]
    • Baltimore Sun
  8. The worst new high school show I can remember seeing in a while. I am not sure which of the leads I find less interesting -- Sam (Carly Pope), a wannabe journalist who mainly wants to sleep with her journalism teacher (Chad Lowe), or Brooke (Leslie Bibb), the cover-girl- perfect-looking cheerleader with the eating disorder. [29 Sept 1999, p.1E]
    • Baltimore Sun
  9. It's hard to figure where the makers of "Third Rock" believe they went right. The humor never rises above high-school-lunchroom level, and even then it's not over-the-top enough to make it very appealing. The actors are talented enough -- Lithgow and Curtin certainly have nothing left to prove, and Gordon-Levitt seems to be that rarest of finds, a young actor who knows about timing. What they're doing in this mess is one of those questions for the ages. [9 Jan 1996]
    • Baltimore Sun
  10. It's Sutherland's performance that so elevates the hour. This is a feature film star at work, and his performance demonstrates why the folks who fill the big screen make much more money than most television stars. [6 Nov 2001]
    • Baltimore Sun
  11. While it doesn't work for me, I'll bet many of the WB's teen viewers who have just finished watching "Dawson's Creek" are going to love it. The girls will feel empowered; the boys, who have been lusting after the three, will be entertained by the violence and havoc they can generate. [7 Oct 1998, p.1E]
    • Baltimore Sun
  12. By far, the best sitcom of the new season. [11 Oct 2000, p.1E]
    • Baltimore Sun
  13. That's Life has a good message and great cast. But if it wants to last, it's going to have to lose the professor, settle on a single voice, and do it fast. [30 Sept 2000, p.1E]
    • Baltimore Sun
  14. It's not as smart about race as "In Living Color," and it lacks the political edge of " Saturday Night Live" at its best. But Hype might have the stuff to make it in prime time on WB. [7 Oct 2000, p.1E]
    • Baltimore Sun
  15. Slight but likable. [7 Oct 2000, p.1E]
    • Baltimore Sun
  16. Maple believes he created a hero in the character of Mannion. I see a self-aggrandizing, self-important hotdog in black and white shoes who I wouldn't put in charge of a swing dancing class let alone the police department. [7 Oct 2000, p.1E]
    • Baltimore Sun
  17. I have no major complaint with this Fugitive as an act of filmmaking imitation. I just wish they had tried to emulate the spirit of the original and re-imagine this "Fugitive" in a way that made it connect as vitally with America today as the original connected with America in 1963. [6 Oct 2000, p.1E]
    • Baltimore Sun
  18. Ed still believes in the realm of possibility, and perhaps even in magic. And that's part of what makes Ed Stevens such a welcome addition to the prime-time landscape. [7 Oct 2000, p.1E]
    • Baltimore Sun
  19. One of the most pleasant surprises of the new season. [5 Oct 2000, p.1E]
    • Baltimore Sun
  20. Instead of life-affirming laughter, we get an occasional ironic chuckle in NBC's version of The Office. It's a comedy that offers only escape instead of insight into our workaday lives. [24 Mar 2005, p.1E]
    • Baltimore Sun
  21. A well-crafted opening to a television drama is like an overture to a musical. To succeed, it must, however fleetingly, sound the major themes and melody of the piece, as well as suggesting its continuing sensibility. Tonight's opening is a great one. [2 June 2002, p.5E]
    • Baltimore Sun
  22. Dazzling...The West Wing is the one new series you do not want to miss. In fact, you don't even want to show up late for its start at 9 tonight. Walk the dog early, shut off the telephone at 8: 55, bribe the kids if necessary to get them in bed, just be there for the one new series that will remind you how exciting the fall network TV season used to be before the networks lost their way in bottom-line thinking and mega-corp greed. [22 Sept 1999, p.1E]
    • Baltimore Sun
  23. The show is vulgar, adolescent and sexist -- and seems proud of it. [18 July 2004, p.2F]
    • Baltimore Sun
  24. So daring, richly multi-dimensional and culturally provocative that it's almost anti-television. [3 June 2001, p.2F]
    • Baltimore Sun
  25. The Sheen persona wears thin after a while, and Jones is just another kid actor with a goofy-sweet face. But what could make this sitcom fly is Cryer. He injects Alan with a manic energy that literally lifts the pilot into a higher comic gear each time he begins to catalog or rant about all his anxieties and fears. [22 Sept 2003, p.1C]
    • Baltimore Sun
  26. It is every bit as smart as you would expect something from Chase to be. It's built more on the limited-run model of British television than standard network fare. [9 Jan 1999, p.1E]
    • Baltimore Sun
  27. The humor is dark, and the editing is fast-paced and often non-linear. The visual sensibility heightens the surreal quality of life and death with young Dr. Dorian as he careens like a bumper-car through his shift. [2 Oct 2001, p.1E]
    • Baltimore Sun
  28. I like Williams as an actor, always have. But he can sink to the level of those around him, and I'm not too sure about the kids in this drama -- Vivien Cardone as his 9-year-old daughter Delia, and Gregory Smith as his 15-year-old son, Ephram. On the other hand, who knows with kids anyway? They could get better in a hurry. The writing also has a tendency to go a bit gooey in the middle. [16 Sept 2002, p.1C]
    • Baltimore Sun
  29. I love The Shield so much, I spent the two weeks since I saw it wondering if I could bring myself to actually say in print what I thought after screening the first three episodes: This is better than "Homicide: Life on the Street." If you've been reading The Sun for any length of time, you know I face East, bow my head and light incense in an act of worship at the mere mention of that late, great, ratings-challenged NBC drama. [12 Mar 2002, p.1E]
    • Baltimore Sun
  30. In the pilot, at least, Whedon manages to capture some of the same "Buffy" sensibility -- a rare combination of sexual energy, irony, intelligence, hot bodies, cool moves, action, menace and comic relief. The challenge is to sustain that tricky tone for a full season. [5 Oct 1999, p.1E]
    • Baltimore Sun

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