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CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
5
Negative:
1
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Critic Reviews
Season 1 Review:
Shatner has a ball playing a paragon of inappropriate behavior and lends the egocentric character a surprising touch of poignancy in his rare moments of introspection. But it's going to be tricky finding the right balance between Shore and Crane while allowing each to stay in touch with his inner devil.
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Season 1 Review:
There is no mistaking "Boston Legal" for anything other than a Kelley office drama. The show and its characters have all the trademark tics that have become his calling card: Quirky cases, outrageous characters, legal arguments as sermons on the mount. Everything is just a little bit heightened, at least when it's not completely over the top; caricatures too often sub for characters. [1 Oct 2004]
Season 1 Review:
"Boston Legal" suffers from the pervasive feeling of been here, seen this. The show's closer to "Ally McBeal" than "The Practice," which provided the Petri dish to nurture and grow it. Kelley's fertile mind still disgorges occasional gems, but for the most part here, he's delivered more rhinestones than diamonds. [1 Oct 2004]
Season 1 Review:
It's disappointing because there was genuine promise here. Spader and Shatner each won Emmys for their work on "The Practice" last season. They're great together as soulless soulmates, partners in slime. ... Unfortunately, they take a back seat to over-the-top stories that -- like hearing "Tomorrow" from the musical "Annie" over and over -- begin to grate in short order. [1 Oct 2004]
Season 1 Review:
This series is a window into Mr. Kelley's soul that is best left closed; the writer who was so nuanced at creating balanced and original women on serious dramas like "The Practice," "Chicago Hope" and "Picket Fences" has far more bizarre, prurient tastes when it comes to women's comedy.
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Season 1 Review:
The most unfortunate victims of Kelley's sad attempt at recapturing the funky fun of his past and mixing in what gravitas he can scrounge up are two otherwise fine characters, Spader's impishly amoral Alan Shore and Shatner's extroverted nut case Denny Crane. [2 Oct 2004]
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