SummaryThe latest adaptation of Henry Fielding's novel from Gwyneth Hughes about the relationship between Tom Jones (Solly McLeod), who was born out of wedlock and heiress Sophia Western (Sophie Wilde).
SummaryThe latest adaptation of Henry Fielding's novel from Gwyneth Hughes about the relationship between Tom Jones (Solly McLeod), who was born out of wedlock and heiress Sophia Western (Sophie Wilde).
Tom Jones presents Fielding’s sprawling narrative in a modern way that’s funny and well-paced. The cast is stellar, but its the chemistry between its leads that will carry the limited series.
It takes things at a relatively leisurely pace. Generally faithful to the material and made without stylistic overreach, it’s enjoyable in an earnest, laid-back sort of way and offers a less familiar period of period drama.
A far more gentle-bordering-on-bloodless treatment of the 1749 Henry Fielding novel. ... Ms. Wilde and Mr. McLeod are an attractive pair, ever sympathetic and beset by the characters around them, who are all very busy thwarting their romance—and providing what juice there is in this "Tom Jones." ... Hannah Waddingham, who as the physically epic and epically randy Lady Bellaston steals the entire series.
Yes, there are some “reimaginings” here in Gwyneth Hughes’s bucking, frisky Tom Jones script. But she has distilled a funny, sprawling novel into four shortish episodes while keeping its essence rather well. If you don’t mind it bobbing along at a surface, jolly, sometimes vanilla canter.
For the most part this is period drama 101, meaning fans of the genre are likely to find much to enjoy here, but may not be bowled over or shook of their expectations.
Waddingham is a real presence, shifting from sexy to funny to bitterly tragic with ease. But even she can’t make Lady Bellaston’s scenes with Tom sizzle, because he merely lets her happen to him: like this version of his story, he wanders politely without much purpose.