SummaryDeep into a solo voyage in the Indian Ocean, an unnamed man wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached ...
SummaryDeep into a solo voyage in the Indian Ocean, an unnamed man wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached ...
A triumph of pure cinema and wonderful visual storytelling from Chandor, who must now be considered the real deal, while Redford is sublime in what could well be the performance of his career.
There are no other actors, no other locations, no other dialogue. All we get is just one guy, one sea, one story. This is the kind of film that needs to be made more often. Everything about it is powerful.
Not a film for lovers of fast paced action yarns, "All is Lost" is a reflective survival story in which a single man (Redford) awakes on his boat to find himself alone and sinking. With virtually no dialogue, this is a film of thought and the simple need to rely upon the human instinct for survival.
Beautifully shot and directed, the film at its heart has a career best performance from Redford and must rank as one of the films of the year.
With no 3D, no friends and no hope, Redford and Chandor show how survivalist instincts can stoke thrilling, thoughtful cinema. If Gravity grabbed you, hop aboard and hold tight.
The film has a quietly relentless quality. Redford is fully engaged and vital. I'll leave it to others to read greatness into All Is Lost. It's enough that it's good.
All is Lost is more fun to think about than it is to actually watch: It’s a testament to a great actor, an experimental piece of cinema and a bit of a bore.
This is a truly amazing film and I'm shocked it gets such a bad user score. The user scores on Metacritic are usually very reliable. The mood, the acting, the alternating sense you get of hope and hopelessness, just make the film riveting for me. It's a pure action spectacle so I fail to see how anyone could have found it dull. Some of the shots are simply breathtaking too. Robert Redford is now a new hero of mine.
Surviving Spirit.
All Is Lost
Chandor's attention seeking concept is a spark only at ignition, for a tale as such that is supposed to grow on you, merely settles for a qualified score. As far as the idea is concerned, it surely is the ultimate dream for any maker to pull off a heist as such without uttering a single word. And lopping off all the hokum of the supportive stems or extra branches cloaked as the background tale or the characterization of the character, the makers are aiming for the root and nothing else. This fragile raw core of the film is through and through, which is also the reason there is no grittiness in the narration.
Addition to that there is very little romance between Redford and the nature, there is a physical distance between them, a void that cannot be filled. Since no matter how much they may not get along and resist each other's existence, the tug of war ought to have a rope as a medium to hold on to. Nevertheless, these few limitations are overcome by brilliant execution and stunning performance. Redford as the only person visible on screen has all the challenge and none the competition.
Evolving on his own terms, Redford is floating in his own bubble, chewing out the material and savoring all the sweetness, his majestic performance is the soul reason this movie survives on communicating the high stakes to its viewers. In such avant-garde concept, the sheer pressure is directed towards the grip of the storytelling in order to hold the audience at its best, and with Chandor's stability and easiness, it manages to check off that item successfully. All Is Lost is everything to be gained from, from Redford's argumentative expressive face to Chandor's busyness in a boat, the film survives.
I'm surprised at the number of positive reviews that this film received. It has a weird un-cinematic atmosphere; like someone filming your uncle on a good digital camcorder pootling around on his yacht. There's a lack of tension, despite lots of bad things happening to the protagonist. And the ending is utterly risible. I mean, I was disgusted at the lack of realism and the blatant fudging to get a saccharine happy ending.
Production Company
Roadside Attractions,
Before The Door Pictures,
FilmNation Entertainment,
Sudden Storm Productions,
Black Bear Pictures,
Treehouse Pictures,
Washington Square Films