X
- 1991
- R
- Miramax
- 2 h
- 1991
- R
- Miramax
- 2 h
Summary Documentary following singer Madonna on her controversial Blond Ambition tour in 1990.
Directed By: Alek Keshishian
- 1991
- R
- Miramax
- 2 h
- 1991
- R
- Miramax
- 2 h
Madonna: Truth or Dare
70
User Score
Available after 4 ratings
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Where to Watch
Summary Documentary following singer Madonna on her controversial Blond Ambition tour in 1990.
Directed By: Alek Keshishian
Where to Watch
Top Cast
Metascore
Generally Favorable
Based on 24 Critic Reviews
70
79% Positive
19 Reviews
19 Reviews
13% Mixed
3 Reviews
3 Reviews
8% Negative
2 Reviews
2 Reviews
Metascore
Generally Favorable
Based on 24 Critic Reviews
70
79% Positive
19 Reviews
19 Reviews
13% Mixed
3 Reviews
3 Reviews
8% Negative
2 Reviews
2 Reviews
Without mystery and glamour, Madonna may never make it as a star of regular movies. But for this dish-umentary, she's absolutely perfect. [17 May 1991, p.7]
A chancy work of self-promotion. Of course, Madonna is a master of image manipulation, forever reinventing herself, so it's difficult to assess exactly what was up her sleeve when she commissioned this movie. Whatever her purpose, Truth or Dare succeeds in somewhat demystifying the icon she's become, giving her a human dimension that has eluded exposure since her rise to superstardom.
Keshishian's straightforward style allows a number of readings: he may flatter The Material Girl, but he also manages to do something much more complicated and engaging.
Madonna’s aim throughout appears to be to straddle the barrier that separates the merely show-offy from the outrageous without falling squarely on either side–which may help to explain why she and her gay dancers gleefully chant that they want this to be an X-rated movie.
Whether you regard her as a symptom or a cure for a culture still locked in its eternal battle between the puritanical and the prurient, [Madonna's] out there at the barricades. In Truth or Dare, she's at her button-pushing best.
Keshishian's record of the 'Blonde Ambition' tour is memorable not so much for the live footage (electrifying, but brief), nor for the few risqué moments contrived to provide hype, but for its study of the loneliness of stardom and the ties of family.
Whatever you think of her, Madonna’s a veteran video star with a well-developed ability to use a camera as a blunt instrument. A good or honest director would see that, and take steps to compensate for it, but Keshishian is a collaborator, not a journalist. With a child’s self-absorption, Madonna thinks everything she says or does is endlessly fascinating.
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Production Company
Boy Toy,
Miramax,
Propaganda Films
Release Date May 24, 1991
Duration 2 h
Rating R
Genres
Tagline Like you've never seen her before.
Awards
Yoga Awards
• 1 Win & 1 Nomination
Razzie Awards
• 1 Nomination
American Cinema Editors, USA
• 1 Nomination
