X
- 1945
- Approved
- Warner Bros.
- 2 h 15 m
- 1945
- Approved
- Warner Bros.
- 2 h 15 m
Summary George Gershwin is a driven composer whose need to succeed destroys his relationship with singer Julie Adams and socialite Christine Gilbert.
Directed By: Irving Rapper
- 1945
- Approved
- Warner Bros.
- 2 h 15 m
- 1945
- Approved
- Warner Bros.
- 2 h 15 m
Rhapsody in Blue
55
User Score
Available after 4 ratings
tbd
Where to Watch
Summary George Gershwin is a driven composer whose need to succeed destroys his relationship with singer Julie Adams and socialite Christine Gilbert.
Directed By: Irving Rapper
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 5 Critic Reviews
55
60% Positive
3 Reviews
3 Reviews
40% Mixed
2 Reviews
2 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Mixed or Average
Based on 5 Critic Reviews
55
60% Positive
3 Reviews
3 Reviews
40% Mixed
2 Reviews
2 Reviews
0% Negative
0 Reviews
0 Reviews
Like Night and Day and Words and Music--film biographies about Cole Porter and Rogers and Hart, respectively--Rhapsody In Blue has little to do with the real life of its subject, but, as is the case with those films, its subject's wonderful songs are the main attraction.
Those who knew George Gershwin and the Gershwin saga may wax slightly vociferous at this or that miscue, but as cinematurgy, designed for escapism and entertainment, no matter the season, Rhapsody in Blue can't miss.
In this movie, real history, in the form of the people who actually knew George Gershwin and performed his music, makes a bigger and truer impression than the Hollywood fabrications.
Biopic with all the usual faults plus Alda, as George Gershwin, at one point looking hilariously like a Frankenstein monster as he sits at the piano while protruding arms clearly not his own tinkle the ivories. Still, it's something of a musical feast, with a slew of old favourites and an outstanding all-black number on 'Blue Monday Blues'. When the music fails, there's always Sol Polito's lushly impressive camerawork.
The performers are quite naturally restricted by the limitations of the script—and by the purely pedestrian direction that Irving Rapper has given them.
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