X
- 1975
- PG
- Columbia Pictures
- 1 h 28 m
- 1975
- PG
- Columbia Pictures
- 1 h 28 m
Summary Two bumbling hustlers in the 1920s attempt to gain the fortune of an heiress. Nothing will stop them, not even murder.
Directed By: Mike Nichols
Written By: Carole Eastman
- 1975
- PG
- Columbia Pictures
- 1 h 28 m
- 1975
- PG
- Columbia Pictures
- 1 h 28 m
The Fortune
58
User Score
Available after 4 ratings
tbd
Summary Two bumbling hustlers in the 1920s attempt to gain the fortune of an heiress. Nothing will stop them, not even murder.
Directed By: Mike Nichols
Written By: Carole Eastman
Top Cast
Metascore
Mixed or Average
Based on 8 Critic Reviews
58
50% Positive
4 Reviews
4 Reviews
50% Mixed
4 Reviews
4 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Mixed or Average
Based on 8 Critic Reviews
58
50% Positive
4 Reviews
4 Reviews
50% Mixed
4 Reviews
4 Reviews
0% Negative
0 Reviews
0 Reviews
A catalogue of slapstick errors, THE FORTUNE works well through the fine performances of the leads and the superb timing of director Nichols.
It's a marvelous attempt to recreate a kind of farce that, with the notable exceptions of a handful of films by Blake Edwards and Billy Wilder, disappeared after World War II.
Now that we no longer expect the world from any of them, the movie is an amusing 88-minute trifle with Beatty in a gigolo mustache and Nicholson with Art Garfunkel curls. [05 Jun 1998]
The Fortune is an occasionally enjoyable comedy trifle, starring Jack Nicholson and Warren Beatty as bumbling kidnappers of heiress Stockard Channing, who is excellent in her first major screen role. Very classy 1920s production values often merit more attention than the plot.
One is left longing for Mike Nichols, the brilliant satirist who made us laugh at our foibles, but who seems to have given way to a cynical, grimly grinning moralist. [26 May 1975, p.84]
The tone is too playful, too bright. Is the heiress herself meant to be a treasure? Is she meant to be charmingly klutzy? You can't tell.
Events degenerate into miscalculated farce and underline Nichols' continuing slick superficiality. Adrien Joyce's much hacked-about script sounds as though it was once excellent: a pity everyone treats it so off-handedly.
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