Movies about children fending for themselves are predicated on pushing prepubescent despair into viewers' faces, which only makes this Swedish film's graceful mixture of terror and transcendental girl power that much more impressive.
As tadpoles morph into frogs, and fears are conquered, The Girl delivers a satisfying, sun-dappled fable about the kindness of strangers and the cruelty of peers.
Gorgeously framed by cinematographer Hoyte van Hoytema, the Turner-esque beauty of the landscape at harvest time only adds to the creepiness as the Girl makes do, makes friends, and then unravels in the most creative ways.