X
- 1970
- M
- Commonwealth United Entertainment
- 1 h 32 m
- 1970
- M
- Commonwealth United Entertainment
- 1 h 32 m
Summary Sir Guy Grand (Peter Sellers), the richest man in the world, adopts a homeless boy, Youngman (Sir Ringo Starr). Together, they set out to prove that anyone, and anything, can be bought with money.
Directed By: Joseph McGrath
- 1970
- M
- Commonwealth United Entertainment
- 1 h 32 m
- 1970
- M
- Commonwealth United Entertainment
- 1 h 32 m
The Magic Christian
42
User Score
Available after 4 ratings
tbd
Summary Sir Guy Grand (Peter Sellers), the richest man in the world, adopts a homeless boy, Youngman (Sir Ringo Starr). Together, they set out to prove that anyone, and anything, can be bought with money.
Directed By: Joseph McGrath
Top Cast
Metascore
Mixed or Average
Based on 7 Critic Reviews
42
29% Positive
2 Reviews
2 Reviews
57% Mixed
4 Reviews
4 Reviews
14% Negative
1 Review
1 Review
Metascore
Mixed or Average
Based on 7 Critic Reviews
42
29% Positive
2 Reviews
2 Reviews
57% Mixed
4 Reviews
4 Reviews
14% Negative
1 Review
1 Review
A brazen, irreverent, and wild satire that hits more often than it misses, THE MAGIC CHRISTIAN seeks to prove that people will do anything, absolutely anything, for money--if there's enough of it.
A superb realization of the book.
There are funny moments, but they don't add up to enough.
A spotty, uneven satire (from the novel by Terry Southern) with a number of good yocks, but insufficient sustained wit or related action.
For Southern to be funny at all, jokes must be carried too far and decorum exploded at every turn. Even if McGrath were inclined to handle the material this way, mush of it has dated, and the screenplay by Southern, McGrath, and Peter Sellers does not so much update it as displace it. [26 Feb 1970, p.60]
The Magic Christian is all too clearly representative of the impasse independent mainstream film-making found itself in when given its head by the industry in the '60s. The result is a variety concert of a film in which most of the acts/jokes fall flat.
A curdled, unfunny satire made more painful by McGrath’s inappropriately jubilant style.
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