X
- 1955
- Not Rated
- Paramount Pictures
- 1 h 46 m
- 1955
- Not Rated
- Paramount Pictures
- 1 h 46 m
Summary Three Devil's Island escapees hide out in the house of a kindly merchant and repay his kindness by helping him and his family out of several crises.
Directed By: Michael Curtiz
Written By: Albert Husson, Ranald MacDougall
- 1955
- Not Rated
- Paramount Pictures
- 1 h 46 m
- 1955
- Not Rated
- Paramount Pictures
- 1 h 46 m
We're No Angels
51
User Score
Available after 4 ratings
tbd
Where to Watch
Summary Three Devil's Island escapees hide out in the house of a kindly merchant and repay his kindness by helping him and his family out of several crises.
Directed By: Michael Curtiz
Written By: Albert Husson, Ranald MacDougall
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 7 Critic Reviews
51
57% Positive
4 Reviews
4 Reviews
14% Mixed
1 Review
1 Review
29% Negative
2 Reviews
2 Reviews
Metascore
Mixed or Average
Based on 7 Critic Reviews
51
57% Positive
4 Reviews
4 Reviews
14% Mixed
1 Review
1 Review
29% Negative
2 Reviews
2 Reviews
Endearing, if not an A-list classic. [25 Sep 2005]
Based on a French play by way of Broadway, Angels is both warm and sophisticated, combining witty, carefree humor with more unabashedly evil undertones. The charmingly hammy performances capture this feeling well: In addition to Bogart, Aldo Ray and Peter Ustinov are especially winning as his partners in crime.
At times proceedings are too consciously cute and stage origin of material [a play by Albert Husson] still clings since virtually all scenes are interiors with characters constantly entering and exiting. However, Michael Curtiz’ directorial pacing and topflight performances from Humphrey Bogart, Aldo Ray and Peter Ustinov help minimize the few flaws.
Clunkily stagebound but gorgeous to look at in VistaVision and Technicolor. [07 Oct 2005]
Generally a slow, talky affair of elephantine roguishness and a few genuine chuckles.
Michael Curtiz directed this oppressive, misbegotten venture.
Based on a French play (La Cuisine des Anges by Albert Husson), it's static and laden with leaden talk, with nothing to interest the eye as recompense.
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