Writing a review for games like this feels bizarre to me, because synthesizing the work down to a number honestly feels wrong. It’s akin to going into an art gallery and scoring each painting or sculpture, and while that seems like I’m laying the praise on a bit thick, I genuinely feel this way. Whenever I’ve been in a slump or felt lost, a good book or movie with something to say has always been the best prescription. Impostor Factory can be that antidote for those who need it. Thank you, Kan, and thank you, Freebird Games. You’ve created an outstanding trilogy, and I absolutely, unequivocally, cannot wait to see what you do next. You have a supporter for life.

UNSIGHTED deserves recognition and exposure not only for the crisp design, beautiful world, hypnotic tunes, and abundant secrets, but for the unique concepts it introduces to great effect, namely the NPC death timers. The stakes in games often lie in winning or losing a fight and having to expend more personal time on a fight that bruised our egos. Here, we have the added layer of humble automaton friends’ lives hanging by a thread. Even though I found several secrets throughout my initial trek, I am absolutely certain more can be uncovered; I just might take a rare plunge into New Game+.

Ultimately, Astria Ascending is as flawed as it is fascinating. It has its moments, but the story is uneven, the dialogue is rough, and the combat is fine, but it doesn’t do enough to stand out in a crowded genre. It hurts to say that, as at some points, the story feels like one that needs to be heard, and there are some parts that I won’t soon forget. As the satellite falls to Earth, it mostly burns up on re-entry, but there is a painful beauty to it all while it lasts.

There’s a lot in Gamedec that’s praiseworthy. I love how the game constantly evolves based on decisions made throughout it, and the story itself developed into something truly memorable as it progressed. Those who want to play an engaging cyberpunk sci-fi RPG with an emphasis on decision-making may very well want to try Gamedec out, especially now that it is updated and more polished.

As a conclusion to Kiryu’s story, The Song of Life hit a few sour notes for me. However, as an installment of the Yakuza series, Yakuza 6 reaches new heights. The upgrade to the Dragon Engine set the stage for triumphs yet to come (including Yakuza Kiwami 2, Judgment, and Yakuza: Like a Dragon), and the game is an overall joy to play. It may be bittersweet to be leaving the Dragon of Dojima’s shoes, but I have no doubts that there will be several return journeys to the streets of Kamurocho in the future!

All the pieces of Olympia Soirée work together seamlessly like the colors of a rainbow naturally drawing together. Just as we all comprise multiple roles, some given to us by family or tradition and others that we seek out ourselves, Olympia Soirée takes its roles of comfortingly traditional and refreshingly modern otome with pride and executes them with great skill. The welcome mixture of seeking out a soulmate and working towards societal change bestows great merit on the game’s storytelling as a whole: just like how looking for love in real life doesn’t have to get in the way of your other goals, an emphasis on romance doesn’t have to get in the way of an interesting story. Olympia Soirée is proof positive that an emphasis on romance, or that being “a game for the female audience,” should never by itself be used as a point of contention against a game.

In poking fun at RPGs of old, Artefacts Studio elicits laughs, but it loses sight of what makes those classics special: an engrossing narrative. The Dungeon of Naheulbeuk’s threadbare story does little to help you stay engaged beyond its opening hours, and inexcusable technical failings dampen the fun thereafter. I recommend The Dungeon of Naheulbeuk to fans of the source material and anyone with a high pain tolerance in desperate need of SRPG combat goodness. But for all others, you’re better off picking up one of the RPGs this one mocks.

The detective gameplay still needs some work, and the plot stumbles a bit from time to time, but I have never been happier to dive back into this world, nor sadder to leave it once the game is finished.

Life is Strange: True Colors opens phenomenally well and then somehow loses its way, never really knowing if it wanted to tell a cheesy conspiracy story or dive completely into slice-of-life territory. I wish it chose an identity. Most of all, I wish it took some chances. I don’t want to say the series is growing stale, but there’s certainly a careful balance needed between giving fans what they expect and reinventing some aspect of itself. This is a cool world to get lost in over a weekend, but it may float on by as a passing phase.

Morteshka’s deal with the devil has paid off, as Black Book delivers a captivating story and engaging gameplay full of strategy and variety that should keep you busy for over 40 hours. Being in league with Satan usually comes with a great price, but players should be able to overcome any curses handed down to them. With strong character development and narrative, this wicked book is a page-turner that’s worth a read.

Even 30 years after release, Final Fantasy IV still shines as brightly as it did in 1991. Its genre-defining story and combat system coupled with the Pixel Remaster’s reorchestrated soundtrack and quality of life updates make this an iconic game you’d be a fool to miss. Much like Cecil struggles with his unwitting role as a killer for his king, I struggle to let go of Final Fantasy IV Pixel Remaster after spending a few dozen hours wrapping up its main quest. If you have even a modicum of affection for JRPGs, you will too.

A casual speedrun to just get to the end will run about two hours, but if TOEM is played how it’s “intended,” then expect to get a few hours out of it, while completionists might hit five or more. If content’s your concern, there it is, but if a high-quality, easygoing experience to escape the anxiety of these pandemic times—or whatever ails you—then TOEM works wonders. The world needs more TOEM, and it’s been a pleasure to get to live in this meditative place, even if only for a short while.

OPUS: Echo of Starsong was a complete surprise to me in several ways. The gameplay was enjoyable without ever becoming too frustrating or boring, the visual presentation was beautiful, and the focus on audio was implemented well. But what ultimately stood out to me most was the creativity and care put into the story. This was an absolutely touching and memorable sci-fi tale with an endearing cast of characters, and it left quite the impression after I finished the game. Much like the echoes of ephemeral sound that the characters follow throughout the stars, OPUS: Echo of Starsong might just leave you with a lasting impression.

Tales of Arise is exactly what I want in a Tales of game, but also a JRPG in general. It fulfills the promise of a modern-day Tales of title in a way no other game in the series has managed in over a decade. While Tales of Arise is clearly influenced by previous games in the series, it also takes cues from other long-running series like Xenoblade Chronicles and Star Ocean. However, Tales of Arise is its own beast—a refreshing, smartly designed, and just plain fun monument to its genre. I cannot recommend it highly enough.

I don’t regret my stay in Providence Oaks, but like most vacations, I wish I had gotten to do more in the short time I had with the game. If you’re looking for a slice-of-life experience in a peaceful lake town and you don’t mind some bumps along the road, Lake might just be up your alley. If you want a narrative game with replay value where your choices affect the story, this vacation might leave you a little wanting.

Despite some minor flaws, I rather enjoyed Boyfriend Dungeon. At around five to eight hours long, it might be a bit on the short side for those expecting the lengthier content of most dungeon crawlers, but I felt the length was perfect for conveying the story Kitfox Games wanted to tell. Fans of outright challenging games might want to look elsewhere, but those more interested in story and narrative choice with enjoyable-albeit-simple gameplay might want to give this game a look. Getting attached to your weapons takes on a whole new and surprisingly welcome meaning here!

As an inexpensive and relatively short title by a one-person team, it is hard for me to lend much weight to the game’s misses. Garden Story’s characters and world have a magnetism; it’s hard to stop spending time with them once you’ve begun, and once you’ve finished the game, it’s effortless to stop back in. If you are happy to delve into an experience where everything but the gameplay shines, then Garden Story is definitely worth checking out.

Twelve Minutes is an exercise in patience and the thrill of discovery. Many will tap out before discovering all of the endings or the true ending, whatever that is. I tossed in the towel after about six hours because I passed a point-of-no-return that the game alluded to but didn’t make it explicitly clear to me. The idea of having to redo everything I had already done was unthinkable, so I quit. I had gotten a couple of endings at that point, so I was satisfied enough. I imagine this will be a title that enthusiasts will speculate on and theorize over for a long while, while others will pass on it in frustration as it leaves a bad taste in their mouths. Although not totally satisfying, I’m glad I played it, and I think for the right person, this is a rewarding and thought-provoking adventure.

Kitaria Fables is an action RPG with a failed farming component. Hell, even the action RPG aspect is failed. The dialogue, while cute and child-like, goes on and on with more telling and less showing. On its surface, this looks like a fun kids game, but the punishing enemies and excessive text tell otherwise. I’m not sure who this is for. Actually, I’d say it’s for no one. In no way is this any fun. It felt like work from beginning to end, and I can’t even say that’s because I was doing any farming.

I could go on and on about all of the other bells and whistles, like the importance of spending multitools wisely at upgrade terminals, the incredible procedural generation of the levels and enemies, the more than a dozen modes to play, all of the in-game achievements to earn, and the plentiful secrets, but those are best discovered when you buy this game. If you’ve got a strategic bone in your body, you have to buy this. Go, buy it now. It’s $25 at full price, which might as well be an act of charity considering the quantity and quality of what you’re getting.

Gaming enthusiasts whose time is too limited to sample every hot Nintendo classic might want to move along. However, those among us who can still devote ample hours to our favorite franchises (and can tolerate a few terribly repetitive angles) will find a lot to love here. That’s the most I could hope for from Skyward Sword HD, and indeed, it has delivered.

This is a title that not only allows people sometimes unable to experience gaming a chance to do so, but it also provides an incredibly unique immersion experience and a different perspective to sighted gamers. A solid, engaging RPG lies at the heart of The Vale: Shadow of the Crown, one that proves to be a truly insightful experience for those who can play it.

At the end of the day, though, Dodgeball Academia hits all the right notes to become a smash hit multimedia entity. Not only can I see an animation and comic book or manga series, but I can also picture a plethora of Dodgeball Academia merchandise like stickers, apparel, toys, phone accessories, dodgeballs, and much more. So you should enroll in Dodgeball Academia today and become the sports anime protagonist you’ve always wanted to be.

It’s a bit ironic to me that NieR Re[in]carnation is a game about memories, about being trapped, and about trying to break free, but that it’s a gacha game. All of those overwhelming, overbearing elements that loop you into a grind are all surrounding a beautiful game that presents a world of isolation and oppression. It’s a package of things I love about NieR, chained to another package of things I really dislike. It feels deliberate, but in a way, that’s more frustrating and overbearing than in Replicant and Automata. Yet it all sounds basically perfect for a Yoko Taro game, doesn’t it? Maybe this is a faultless encapsulation of the NieR experience, and my grievances are exactly what the developers are going for.

Ambition: A Minuet in Power is a highly interactive visual novel that details love and intrigue during a turbulent historical time not often covered in video games. It was a trip through time to an earlier Paris that proved memorable and engaging, even if the journey wasn’t without flaws. Visual novel fans looking for more romance with political machinations to maneuver through and a bit more interactivity than one usually expects from the genre should give this one a closer look.

Road 96 offers a unique style and storytelling that the gaming industry desperately needs right now. I worry that this one will float under many people’s radar as it’s by no means an edge-of-your-seat story with larger-than-life actors. This is a chill game with cozy vibes mixed with a little bit of social unrest to shake things up a bit. Conflict! At any rate, if you have the need for this sort of title in your life, Road 96 scratches the itch well.

I have very mixed feelings about Fuga: Melodies of Steel. On the one hand, I’m glad to see that the Little Tail Bronx series still has life in it. On the other hand, this latest entry is largely unimpressive and doesn’t hold a candle to the rollicking good times that Tail Concerto and Solatorobo were. If you are already a Little Tail Bronx die-hard, then you’ve already decided to buy Fuga: Melodies of Steel. If you’re a newcomer, I think you’d have a more enjoyable time with Tail Concerto or Solatorobo.

Bustafellows wants to be the complete package: an otome sweet enough to melt your mouth with cavities, as well as a dangerous and dark visual novel. But it leans too far in one direction to allow the other its chance to emerge seamlessly from the depths.